This is the first installment in the Pacifica Quartet’s highly anticipated, four-volume CD survey of the complete Shostakovich string quartets: The Soviet Experience: String Quartets by Dmitri Shostakovich and his Contemporaries. The Soviet Experience is the first Shostakovich quartet cycle to include works by other important composers of the Soviet era, adding variety and perspective to the listening experience.
Music of the transition: An interesting compilation presented here by Daniel Huppert and the Bergische Symphoniker. The 2nd Violin Concerto by Sergei Prokofiev (soloist: David Nebel), is combined with Symphony No. 25 by Nikolai Myaskovsky. The programme is complemented by the arrangement of the piece "Masks" from Prokofiev's ballet "Romeo and Juliet" for violin and orchestra, made especially for this recording.
In recent years Miaskovsky has suffered something of a decline in the Soviet Union. Textbooks still honour him as an important influence on the development of Soviet music, a great teacher and so on, but performances and recordings of his music have become increasingly rare. Whether this new CD issue (apparently the first of a series) is a sing of re-awakened interest—a kind of Russian counterpart to the Bax phenomenon in England—isn't easy to tell, but obviously the spirit of the age is favourable to the rediscovery of very late romantic orchestral composers, as is demonstrated by the case of Bax, or Respighi, or even Eduard Tubin.
Shafran became something of a legendary figure amongst cellists. He made a fabled child prodigy debut at ten, playing the Rococo Variations with the Leningrad Philharmonic conducted by Albert Coates. In later years, though, he toured abroad very seldom – making sporadic visits in the 1960s to Rome, New York and London and a succession of visits to Japan where he was immensely popular and had a number of students. Towards the end of his life he gave two celebrated recitals at Wigmore Hall.
While this collection brings together all the standard tunes Mstislav Rostropovich recorded for EMI Classics, the "Russian" recordings are deservedly the headline grabbers. World premieres abound, from a searing account of Prokofiev's Cello Sonata with Sviatoslav Richter to an especially probing Shostakovich Second Cello Concerto, both given in the presence of the composers.
The five movement Second Symphony is gloomily introspective but Muti again propels it along. There are some Rachmaninov-like moments in the allegro and wistfulness in the andante. Much of the doom carries over from the Manfred / Francesca tribute from Tchaikovsky and ploughs inexorably forward in the earlier symphonies of Miaskovsky. The Maestoso has a straining grandeur which takes a little from Glazunov - say in the finale of the Eighth symphony.
When the cellist Mstislav Rostropovich died in 2007, the world not only lost a great musician, but also a personality who had earned the honorary title "world citizen" with political commitment and commitment to humanitarian goals. He gave humanity a voice with his instrument - so in 1989 at the Berlin Wall. As an initiator of new works, as a pedagogue and conductor, he left clear traces in music history. In 2017, the great musician would have turned 90 years old. At the same time, his death is ten years back.