The Joker is, without question, the turning point in Steve Miller's career, the album where he infused his blues with a big, bright dose of pop and got exactly what he deserved: Top Ten hits and stardom. He also lost a lot of fans, the ones who dug his winding improvs, because those spacy jams were driven by chops and revealed new worlds. The Joker isn't mind-expanding, it's party music, filled with good vibes, never laying a heavy trip, always keeping things light, relaxed and easygoing.
Rick Miller: Altered States is my most recent album of old style progressive rock made famous in the 60s and 70s by bands such as Pink Floyd, The Alan Parsons Project and The Moody Blues. So if you like your Prog rock with lots of heavy metal and jazz fusion, you may not find what you’re looking for here. I do hope you enjoy though.
Frankie Miller is one of the great unsung rockers of the '70s, a blue-eyed soul singer on par with Rod Stewart and Joe Cocker who could also rock as hard as Bob Seger. All three of these artists recognized a kindred spirit in Miller, with all three covering his songs in the '70s and '80s. Like all hard-working rockers, Miller kept working right into the '90s, when he tragically suffered a brain hemorrhage while woodshedding a new band with Joe Walsh. After five months, he emerged from a coma but was paralyzed and lost his speech. His friends did their best to keep his legacy alive, a mission that peaks with 2016's Frankie Miller's Double Take. Instigated by the curiosity of Rod Stewart, producer David Mackay asked Miller's wife if there were any unreleased songs, and she sent him a bunch of tapes, which he then polished and refurbished into Double Take.
Blue-eyed soul singer Frankie Miller made his name on the English pub rock circuit of the early '70s, and spent around a decade-and-a-half cutting albums of traditional R&B, rock & roll, and country-rock. In addition to his recorded legacy as an avatar of American roots music, his original material was covered by artists from the worlds of rock, blues, and country, from Bob Seger and Bonnie Tyler to Lou Ann Barton and the Bellamy Brothers. And Miller himself scored a surprise U.K. Top Ten smash in 1978 with "Darlin'," giving his likable, soulful style the popular airing many fans felt it deserved all along…
Canadian composer and multi-instrumentalist Rick Miller made his debut effort as a solo artist back in 1983 with the new age production Starsong, which shifted a highly respectable 30.000 units at the time. He would follow up this venture with Windhaven in 1987, and his efforts Interstellar Passage from 1998 and the EP No Passion, No Pain from 2009 would continue exploring similar musical territories. But after honing his craft working at Sound Design Studios in Toronto throughout the 80's and 90's, Miller wanted to have a go at his true musical love as well, atmospheric progressive rock inspired by artists such as Pink Floyd, The Moody Blues and Steve Hackett…
Steve Miller Opens His Massive Vault For The First Time To Share His Treasures Welcome to the Vault is a Career Spanning 3 CD + DVD Collection containing 52 audio tracks and 21 performances on DVD With 38 previously unreleased recordings, including 5 compositions that have never been heard before, and featuring alternate versions of classic songs, live performances and more, all housed in a 100 page hard bound book of Steve’s personal photos, with a 7,000 word essay by David Fricke…
Frankie Miller’s eighth solo album “Standing On The Edge” was his first away from the Chrysalis label and was also at that point his rockiest and most polished effort. The bar room backing or stripped back blues and soul of the earlier albums being replaced with a polished, sleek and far more rocky production. Musically and arrangement wise this was more akin to Bad Company, Foreigner or even Whitesnake than the old blues and soul feel of its predecessors…