Mono 2023

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin…Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

Made from the original master tape, recorded in mono during a TV Live Show on RFO in GUADELOUPE, 1982. Sound restoration by CHRISTROPHE HENAULT (ART ET SON STUDIO) with great care to the transfer and mastering, respecting the original sound and context.

A Czech maestro in his element: the complete Philips and Deutsche Grammophon albums of Karel Ancerl collected as a single edition to mark the 50th anniversary of his death (3 July 1973).

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Very, very few artists have reached the heights attained by Dionne Warwick and the songwriting/production team of Burt Bacharach and Hal David on their historic string of hit singles for the Scepter label. Over the course of a little over ten years, Dionne scored no less than 40 charting Pop hits and 29 charting R&B hits for Scepter, propelling Dionne to a ranking second only to Aretha Franklin among female singers with the most chart hits in the rock era, not to mention five Grammy nods. More importantly, Warwick, Bacharach, and David brought a new level of sophistication to popular music…and by doing so, created some of the most indelible recordings of all time.

"This is not a good recording": this is how the well-known Viennese theater critic Karl Löbl judges this old Legge production from July 1957, which was originally edited by the EMI. The conductor seems "too good for him", Maria Callas, according to his impression, "obviously does not feel comfortable vocally in this part" and Elisabeth Schwarzkopf "does not fit in with the rest of the ensemble".

Completely evocative late life work from Chet Baker – one of the last albums he ever recorded, and a set that shows just how much Baker kept evolving in the later years of his career! Given some of the personal troubles that plagued Chet over the decades, there's sometimes a thought out there that he was a weaker version of himself at this time – but that's definitely not the case, as Baker really shifted his sound and style to accommodate some of his challenges, at a level that maybe made the music even more powerful than some of his music from years before!

A Czech maestro in his element: the complete Philips and Deutsche Grammophon albums of Karel Ancerl collected as a single edition to mark the 50th anniversary of his death (3 July 1973).