A 19-track collection of otherwise unavailable live performances from 1966-1968, taken from shows in Melbourne, Stockholm, London, and the '67 Monterey Pop Festival, as well as radio and television broadcasts. Most of this dates from the psychedelic version of the band, which will disappoint those who are primarily interested in the group's rock/R&B prime. It's quite a good relic, though, with rough and ready execution by both Burdon and the band, and some unusual R&B and psychedelic material alongside the versions of hits like "Inside Looking Out," "Monterey," "San Franciscan Nights," and "When I Was Young." Sound ranges from fair to very good.
2 CD set with 1967 performances live at Monterrey Pop Festival and Stockholm.
The Jimi Hendrix Experience's breakthrough appearance at the Monterey International Pop Festival on June 18, 1967, has been committed to disc, in whole or in part, before, starting with the split LP Monterey International Pop Festival, which featured four tracks by Hendrix on one side and performances by Otis Redding on the other. That album was released scant weeks before Hendrix's death in September 1970. In 1986, Jimi Plays Monterey, containing the full ten-song set, appeared.
Although Hendrix had become a star in the U.K., he was largely unknown in his home country…
First up, the return of the Herd for “The Herd Rides Again In Stereo” ten or so years after the First Herd roared across America between the years 1945-1948. Original members like Chuck Jackson are joined by the likes of Bob Brookmeyer who had played with the Herd for 7 weeks way back in 1952 and other fine musicians like Billy Bauar, Nat Pierce, Al Cohn and Don Lamond. A year later and another reunion of sorts as “The Fourth Herd” stampede into town! This time, however, we have a band playing within a band!? That is, an octet featuring Woody Herman, Zoot Sims, Nat Adderley, Eddie Costa and the big band rhythm section all basking in the “inspiring warmth” of the big orchestra”…
The first of 100 tunes in this collection is a 1937 recording of tenor saxophonist Coleman Hawkins and guitarist Django Reinhardt playing Out Of Nowhere. It was recorded two years before Blue Note Records was founded. The taping was done for EMI’s Capitol label’s French division. This is an ominous hint as to the content of the 10-disc “100 Best of Blue Note” box set, which at first glance appears to have all the trimmings of a slick 21st century collection.
We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.