Monteverdi Harnoncourt

The legendary label, Deutsche Harmonia Mundi, releases a special 50 CD boxset featuring star performers such as Hille Perl, Nikolaus Harnoncourt, Dorothee Oberlinger, Simone Kermes, and Nuria Rial and more!
This collection displays the sheer variety available from theDHM archive. A perfect collection ranging through medieval, Renaissance, baroque and Romantic music.

A beautifully-packaged 50-disc box set, released to celebrate the 50th anniversary of Deutsche Harmonia Mundi, one of the most important and adventurous early music labels. The set contains 50 classic recordings of baroque and ancient music, chosen to represent the breadth of this huge and varied catalogue and each disc is slip-cased with artwork replicating the original CD or LP artwork.

Since it's founding in Freiburg in 1958, Deutsche Harmonia Mundi has been one of the most important and ambitious labels for period performances. Over decades, globally-acclaimed recordings were created with outstanding musicians. The limited edition "Deutsche Harmonia Mundi: 100 Great Recordings" contains 100 outstanding DHM recordings with some of the most important and best artists in their field: Nuria Rial, Dorothee Mields, Al Ayre Espanol, Hille Perl, Concentus Musicus Wien, Nikolaus Harnoncourt, the Freiburger Barockorchester, Skip Sempé, Capriccio Stravagante, La Petite Bande, Gustav Leonhardt, Andrew Lawrence-King, Frieder Bernius, the Balthasar-Neumann-Chor, Thomas Hengelbrock and many others.

A beautifully-packaged 50-disc box set, released to celebrate the 50th anniversary of Deutsche Harmonia Mundi, one of the most important and adventurous early music labels. The set contains 50 classic recordings of baroque and ancient music, chosen to represent the breadth of this huge and varied catalogue and each disc is slip-cased with artwork replicating the original CD or LP artwork.

Andrea Rost gained recognition in the 1990s as one of the world's leading new lyric sopranos. Her family was not especially musical, but, she says, she was always singing. She copied what she heard on the radio and joined the school chorus. She was 16 when she first attended the opera, at the Budapest Opera House. The fare was Donizetti's Don Pasquale. She was entranced by the blend of music, story, and dramatic staging and said, "Oh my God, I have to do this." She studied voice, then entered the Franz Liszt Academy of Music in Budapest. Her teacher was Professor Zsolt Bende.