Monteverdi Harnoncourt

A beautifully-packaged 50-disc box set, released to celebrate the 50th anniversary of Deutsche Harmonia Mundi, one of the most important and adventurous early music labels. The set contains 50 classic recordings of baroque and ancient music, chosen to represent the breadth of this huge and varied catalogue and each disc is slip-cased with artwork replicating the original CD or LP artwork.

Andrea Rost gained recognition in the 1990s as one of the world's leading new lyric sopranos. Her family was not especially musical, but, she says, she was always singing. She copied what she heard on the radio and joined the school chorus. She was 16 when she first attended the opera, at the Budapest Opera House. The fare was Donizetti's Don Pasquale. She was entranced by the blend of music, story, and dramatic staging and said, "Oh my God, I have to do this." She studied voice, then entered the Franz Liszt Academy of Music in Budapest. Her teacher was Professor Zsolt Bende.

The box-set traces the history of Archiv from 1947, when the first recordings were made (Helmut Walcha playing Bach organ works), to a bonus CD featuring selections from the new 2013 albums mentioned above. A complete overview is appended. In between comes a sequence of albums several of which are new to CD from the great names of the label, from Walcha, Wenzinger and Safford Cape, through Karl Richter, Nikolas Harnoncourt and Sir Charles Mackerras…

An exploration of the world's music. Yehudi Menuhin has created this expansive survey of musical traditions from five continents. With panoramic vision and infectious enthusiasm, he takes us from primeval rhythms of Africa to the symphonies of Beethoven, from plainsong to jazz, from Swiss yodeling to Irish jig, from steel drum to electronic synthesizer.

It has been so easy over the last century-and-a-half-plus to severely underestimate the creativity of Robert Schumann as a composer because he was so often thought of as a miniaturist, and because he was often plagued by self-doubts and, much more tragically, severe mental illness that caused him to end his life in 1856 at the age of 46, leaving behind a grieving widow in his wife Clara. This was, after all, a composer who wrote four very solid symphonies, a hugely popular piano concerto, an equally popular cello concerto, and various other orchestral works. Schumann also wrote choral works, notably a very inspired C Minor setting of the Latin Mass.

The chamber cantata flourished in Italy as a counterpart to public opera and oratorio, cultivated by aristocratic patrons for their personal enjoyment. Perhaps because of its essentially private origins, this pervasive Baroque form remains little known today. During his years in Italy (1706-1710), George Frideric Handel composed nearly 100 cantatas for a series of important patrons, but they have tended to be passed over in favor of his larger operas, oratorios, concertos and orchestral suites. The plan of La Risonanza to perform and record all of the cantatas with instrumental accompaniment (about one-third of the total) is therefore of signal importance for all music lovers, as it will bring this extraordinarily beautiful music once again to life (2006-2009).