An amazing collection of music – some of the hippest jazz to ever come out of the west coast scene, and a legendary pairing of trumpeter Bobby Bradford and saxophonist John Carter! Both players have really gone onto leave their mark in later years – but honestly, they almost reached the peak of their powers with these incredible early recordings – beautifully bracing modern jazz, of a sort that somewhat follows an Ornette Coleman lineage, but which also opens up into the new spirituality that was hitting the LA scene in the post-Coltrane years – almost a bridge between the Coleman/Dolphy generation, and the later Nimbus scene that would rise in the west! The music here is stark, simple, and quite organic – yet has an energy that's all its own – an amazing progression of rhythms and horn sounds, wrapped together beautifully through a killer set of original compositions.
We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.
This set reinstates a number of important piano recordings made for Pacific Jazz (and in the case of Jimmy Rowles Liberty). Russ Freeman and Rowles were seminal to so much of the important music that emanated from Los Angeles in the '50s and '60s that their achievements would be far too many to list here. Freeman's hard swinging style is featured on 14 tracks made between 1952 and '57. Rowles, an encyclopedic piano maestro, is represented by his rare Liberty album Rare - But Well Done and two Pacific Jazz tracks, made the end of sessions by others.
Remarkably, whether he's playing an impressionistic ballad, a hard bop classic or a free original, Denny Zeitlin sounds like no other. He has the technique and harmonic knowledge to execute anything his fertile imagination conjures up. His music resonates with joy and honesty. Denny Zeitlin's first album, Cathexis, recorded in 1964 with Cecil McBee and Freddie Waits was an instant critical and commercial success with Zeitlin hailed as a new and original voice of the piano. Later in 1964, Denny assembled another amazing trio with Charlie Haden and Jerry Granelli and released the album Carnival. Zeitgeist was recorded over 1966 and '67 and documented the end of the trio with Haden and Granelli and the beginning of one with Joe Halpin and Oliver Johnson, two brilliant musicians who died young.
Woody Herman was dedicated to keeping his big band going and was focused more on music that satisfied him than focusing on making hits. Most of the selections in this three-CD set came from an overlooked period in the clarinetist's career, his early 1960s tenure on the Phillips label. At this point, Herman had recently welcomed new arrivals like trumpeter Bill Chase, tenor saxophonist Sal Nistico, and trombonist Phil Wilson, while still talented veterans like pianist Nat Pierce, tenor saxophonist Bill Perkins, and drummer Jake Hanna.