Motion Picture

Long-awaited world premiere release of classic John Barry soundtrack in a 2-CD set! After two years of effort with two major licensors (UMG & Sony Pictures), Intrada realizes complete presentation of score plus classic original 1977 album! Peter Yates directs Nick Nolte, Robert Shaw, Jacqueline Bisset in big screen version of Peter Benchley novel. John Barry supplies sensational score to match excitement, danger of underwater tale. Barry melds haunting, richly beautiful theme with abundance of dark, dangerous material to create unusually wide-scale score, replete with dense underwater motifs, aggressive action licks… ever-anchored by stunningly beautiful main theme. Intrada presents complete score on CD 1, in mono from only surviving 1/4" session masters vaulted in excellent condition by Sony, then offers complete (and generous) original Casablanca soundtrack album in stereo from superb condition actual album masters vaulted by UMG - and yes! - including great Donna Summers rendition of Barry's love theme!

Award-winning producer and artist, Danger Mouse, has curated the soundtrack for Edgar Wright's highly anticipated film, Baby Driver. The soundtrack for the music-heavy film, titled Music From The Motion Picture Baby Driver, boasts 30 multi-genre tunes in total, including 29 rare tracks and deep cuts, as well as one original song created by Danger Mouse specifically for Baby Driver. The new song is "Chase Me", by Danger Mouse featuring Run The Jewels and Big Boi.

Back to the Future: Music from the Motion Picture Soundtrack is the soundtrack album to the film of the same name. It was released on July 8, 1985 by MCA Records. The album included two tracks culled from Alan Silvestri's compositions for the film, two tracks from Huey Lewis and the News, two songs played by the fictional band Marvin Berry and The Starlighters, one played by Marty McFly and The Starlighters, and two pop songs that are only very briefly heard in the background of the film…

James Newton Howard makes a rare but welcome foray into the horror genre with The Devil's Advocate, a chilling but majestic work highlighted by its stunning choral passages. While Howard's signature fusion of symphonics and electronics is the score's backbone, his use of the human voice most effectively communicates the evil lurking within lead Al Pacino, and his decision to avoid thematic consistency is another clever tool for keeping the listener off balance, with strange, ominous noises lurking in the background to further underscore the dark forces at work. Spooky, compelling stuff.