Mountain

Brian Eno - Taking Tiger Mountain (By Strategy) (1974) {2009 Virgin DSD Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 324 Mb | MP3 @320 -> 115 Mb
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© 1974, 2009 Virgin Records | 50999 6 84536 2 6
Experimental Rock / Avant-Garde / Art Rock / Ambient

Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's sophomore album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album – often inscrutable, but still playful – about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states.

Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imagine artists like Guy Clark, Jimmie Dale Gilmore, or Steve Earle finding their voice without his guiding influence. This two-disc set features Van Zandt's first two albums, 1968's For the Sake of the Song and 1969's Our Mother the Mountain.

Rimsky-Korsakov’s Scheherazade, telling sumptuous stories, and Mussorgsky’s Night on Bald Mountain, graphically chilling, are two of the most popular works in the Russian repertoire. Programming them together, as Music Director of the Orchestra and Chorus dell’Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano reminds us of the links between the two composers. At the same time he provides a rare opportunity to hear both of Mussorgsky’s versions of Night on Bald Mountain – one for orchestra and one for orchestra and vocal forces.

Mountain was the combined forces of Leslie West, a gigantic guitarist/vocalist who had played with New York garage-psych rockers the Vagrants, and Felix Pappalardi. Pappalardi had a slightly more impressive track record, coming from the modern East Coast folk-rock movement (the Youngbloods), before he applied his production skills to Cream. Through this, Felix never really stopped playing and eventually formed Mountain. Often billed as a junior-league version of Cream, Climbing!, Mountain's debut, had a lot of things going for it as well. Indeed, West was a changed man from the moment he saw Clapton play, and Pappalardi was able to help him achieve the exact same tone Clapton employed on Disraeli Gears…

For the record: Patty Loveless' Mountain Soul II is not a strict sequel to its 2001 predecessor. Whereas the former album was chock-full of bluegrass tunes both historical and contemporary, the sequel is a far more diverse collection that includes traditional songs, country music classics, and some new originals and yes, there are a couple of bluegrass tunes in the mix