mr Roboto

Although Dennis DeYoung's concept about man being replaced by robots in the near future failed to get off the ground, Kilroy Was Here still harbored two of the band's best singles. "Don't Let It End" almost captures the same endearing qualities as their number one hit, "Babe," did four years earlier, peaking at number six, and the synthesized novelty of "Mr. Roboto" went all the way to number three, accompanied by a lively and rather extravagant Dennis DeYoung at the helm…

Although Dennis DeYoung's concept about man being replaced by robots in the near future failed to get off the ground, Kilroy Was Here still harbored two of the band's best singles…

Although Dennis DeYoung's concept about man being replaced by robots in the near future failed to get off the ground, Kilroy Was Here still harbored two of the band's best singles. "Don't Let It End" almost captures the same endearing qualities as their number one hit, "Babe," did four years earlier, peaking at number six, and the synthesized novelty of "Mr. Roboto" went all the way to number three, accompanied by a lively and rather extravagant Dennis DeYoung at the helm…

Assembled with the cooperation of the band, Styx's entry in Universal's 20th Century Masters – The Millennium Collection series of discount-priced best-of's, surveys the group's tenure at A&M Records, where they scored most of their popular success…

Caught in the Act is a live double album by Styx, released in 1984. It contains one new song, "Music Time", which was released as a single, reaching #40 on the Billboard Hot 100 charts…

Styx was at the height of its success in the early 1980s, with their '81 concept album PARADISE THEATRE transforming the band into huge arena rockers. So in 1983 they decided to test out a different format, … Full Descriptionproducing this full-length concert film, which was shot during their Kilroy Was Here tour. The show is highly conceptual, and is based around a dystopian future society that isn't allowed access to rock music. Among the hits included are "Too Much Time On My Hands," "Come Sail Away," and "Mr. Roboto."

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for bombastic rockers and soaring power ballads. The seeds for the band were planted in another Chicago band during the late '60s, the Tradewinds, which featured brothers Chuck and John Panozzo (who played bass and drums, respectively), as well as acquaintance Dennis DeYoung (vocals, keyboards).

Assembled with the cooperation of the band, Styx's entry in Universal's 20th Century Masters – The Millennium Collection series of discount-priced best-of's, surveys the group's tenure at A&M Records, where they scored most of their popular success. Of course, the early hit "Lady," recorded for RCA-distributed Wooden Nickel Records (and thus in the vaults of rival major label BMG), is not included. Neither are the Top Ten hit "Don't Let It End," or the Top 20 hit "Renegade" (mistakenly called a Top Ten hit in the liner notes). But the rest of Styx's big A&M hits – "Too Much Time on My Hands," "Come Sail Away," "Mr. Roboto," "The Best of Times," "Babe," "Show Me the Way" – are on the disc, along with several Top 40 entries and the popular album track "Boat on the River," from 1979's Cornerstone LP.