The cover art of COMPACT JAZZ * BEST OF DIXIELAND is potentially misleading. Pictured are 78s and cylinders made in the pre-microphone acoustic recording era. Although some of the artists here, such as Louis Armstrong and Kid Ory, were in the studios in those pioneer days, none of their early work is to be found on this set. Rather, we have a collection of full range hi-fi or stereo tracks made for VERVE records in the years spanning 1955 to '61 (the exceptions being one side from 1964 and another made a decade later). A few of the classic New Orleans "locale" tunes appear ("Basin St. Blues," "Perdido St. Blues," "Canal St. Blues"), as well as perennial favorites ("Ballin' The Jack," "St. Louis Blues," "Hindustan"). For an opportunity to listen to the music being performed all around the Crescent City a half-century ago, VERVE's BEST OF DIXIELAND cannot be beat.
As single-disc budget compilations go, this is a solid one so far as it goes. It contains most of the band's biggest hits and only contains two notorious omissions, since "Tuesday's Gone," and "What's That Smell" aren't here…
The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard.
British Beat was the term adopted to describe the exciting new sounds out of Liverpool and other cities in the wake of The Beatles' explosion onto the world stage in 1963/64. Named after the slang term forever associated with The Beatles, this mammoth 6-CD box set offers around 180 tracks in chronological order from the mid-1960s, many of which are new to CD and some of which are previously unissued. Fab Gear includes many of the era's biggest names such as The Kinks, The Moody Blues, The Searchers and The Tremeloes and other hit acts such as The Marmalade, The Alan Price Set, The Rockin' Berries, David & Jonathan, The Ivy League, Twinkle, Peter Jay & The Jaywalkers, Chad & Jeremy, The Tornados, Arthur Brown, Tony Jackson & The Vibrations, The Undertakers, Billie Davis, The Migil 5, The Truth, The Quiet Five and The Sorrows.
Wisely, the Cure decided to start fresh upon signing with their new label in 2004 by cleaning house, remastering the old albums, and bringing their fans Join the Dots: B-Sides & Rarities, 1978-2001. Not only is it the ultimate companion to the official releases, but it is, in a way, the new-super-deluxe-updated version of that cassette release of Staring at the Sea. Every B-side is included, in order, with cleaned-up sound, liner notes, and explanations by the man who made it all happen. All tracks, from "10.15 Saturday Night" (the B-side to the debut single "Killing an Arab") to covers of "Hello, I Love You," "Purple Haze," and "World in My Eyes," to entries from the Bloodflowers singles, are an indication that while the Cure made both strong albums and singles, they were not afraid to experiment along the way, and more importantly, they didn't let pride keep them from not making them available to those who were willing to look for them…