The Westerlies' sophomore release showcases the quartet in a boldly personal setting, presenting original music by each member of the ensemble in vivid sonic detail captured by GRAMMY-winning producer Jesse Lewis (Silk Road Ensemble with Yo-Yo Ma, Roomful of Teeth, Brooklyn Rider, LA Phil). Following their critically acclaimed debut album Wish the Children Would Come On Home: The Music of Wayne Horvitz, this project further explores jazz, folk, and chamber music influences to create the rarest of hybrids: music that is both "folk-like and composerly, lovely and intellectually rigorous.”
This album connects with me from any number of angles. There’s the project theme: Trombonist Andy Clausen put together the multi-media project Shutter as a way to present the imagery of his travels from 2012 through 2013. How he captures those images is four-fold. First, he views them personally. This is something we, as listeners, can only experience indirectly through later stages of the process. Second, he takes a photo of the scene with an old-school a 1970s Nikkormat FT 35mm camera.