Chicago drummer, bandleader, and composer Ted Sirota has one of the hottest bands around right now with his Rebel Souls. This 2000 date, issued on the British Naim label, is a wonderful precursor to 2004's Breeding Resistance. For starters, this is the first place that Sirota's right-hand man, saxophonist and composer Geof Bradfield, makes an appearance along with fellow reedman Kevin Kizer. Also on hand are Rob Mazurek, guitarist Jeff Parker, and bassist Noel Kupersmith, who have since moved on and have been replaced. But Vs. the Forces of Evil showcases the mature Rebel Souls ensemble sound.
The fifth recording for Ted Sirota's Rebel Souls continues on the path of celebrating freedom fighters the drummer/leader is inspired by and admires. This version of the band retains saxophonist Geof Bradfield and welcomes new members Greg Ward on alto sax (from Broken Things), guitarist Dave Miller (taking over for Jeff Parker), and bassist Jake Vinsel (in for Noel Kupersmith). The multi-cultural jazz concept of Sirota remains, using African-based ideas merged within a progressive jazz and modern creative framework, while also paying tribute to two late pop music icons – Bob Marley and Joe Strummer. Sirota's drumming itself is self-assured and melodic, working off precepts from jazz greats like Art Blakey and Max Roach, while also taking into account a communal tribal village concept that makes the Rebel Souls a tight-knit unit.
The Rebel Souls second CD shows them quite adept at many styles of instrumental music, including neo-bop, high life, stealth grooves, and even ska. Drummer Sirota leads this Chicago based quintet plus guests through eight original compositions that are played with a spirit and competence that goes beyond their name recognition. The CD kicks off with the jumpin' ska grooves of "Geronimo's Free" with the band augmented by bass trumpeter Ryan Schultz. There's hard swinging selections like "Ten" on a level rivaling Scofield-Brecker-Metheny-Lovano in sound and stance, and the scorching finale "Hemiola."
Chris Anderson is one of the unsung heroes of modern jazz piano. A revered figure among musicians, largely for his role as mentor to a young Herbie Hancock, Anderson has long been hindered by illness from aggressively pursuing his rightful place in the jazz limelight. As Charlie Haden poignantly states in the album's liner notes, "Chris is risking his life with every chord, that's how much it means to him." Although he has performed with everyone from Charlie Parker to Sun Ra over the course of his lengthy career, Anderson remains mostly unknown even to serious jazz fans. One hopes that this outstanding new duo effort with bass master Haden on the British Naim label helps to earn him some richly deserved acclaim.
Following the phenomenally successful 'In concert' DVD release late in 2006, the Naim Label has released the album of this captivating performance. Originally commissioned by Naim, following the AFQ’s magnificent sell out tours both in the UK and mainland Europe, and recorded by Martin Levan of Red Kite Studio, the album captures the performance of the band at its best. The combination of an intimate theatre - the Trinity in Tunbridge Wells - and the realistic sound and scale captured make this an unmissable album. The recording was completely live, there were no overdubs in the studio later as is perhaps more normal. The band was a particular challenge to record as they are essentially acoustic in nature. The recording was almost exclusively made by microphones rather than Direct Injections (DIs) to retain the full acoustic sense and dynamic of the quartet.
Drummer Ted Sirota's debut CD with his Rebel Souls quartet displays his passion for the avant garde of the '60s (e.g., Ornette Coleman and his sidemen). This is not so much a free jazz as a free bop excursion, with melodies played by tenor saxophonist Kevin Kizer, and obtuse, angular lines from electric guitarist Jeff Parker. Bassist Jeff Hill is unspectacular, but plays a good part in backing the others. There's a great version of Thelonious Monk's "Brilliant Corners," with all the downtempo to uptempo changes, haunting impressions, and bop sonorities of the original.
Following the success of his other albums on Naim Label, Antonio Forcione has teamed up with the world famous rhythm section of Trilok Gurtu on percussion, and Kai Eckhardt on bass to produce an album that will certainly elevate his international standing further still. Trilok and Kai have previously worked with a host of celebrated musicians including Neneh Cherry, Martin Taylor, Pat Metheny, and John McLaughlin. All tracks on this recording were written and arranged by Antonio, providing a glowing testimonial to his abilities as a composer, and demonstrating that his considerable musical talent continues to develop.
Naïm Kattan nous livre un récit autobiographique dans lequel il tente de comprendre ce qui a marqué sa vie, et notamment ses écrits. Juif né à Bagdad, arabe de culture, l’écrivain francophone et montréalais relate les hasards et les rencontres qui ont parsemé son chemin, en les situant dans le cours social et politique de l’époque. …