After putting themselves on the hard rock map with Razamanaz, Nazareth took their new, forceful style even further the next year on Loud & Proud. With Roger Glover once again at the controls, the group added even higher levels of distortion and energy to create one of the hardest rocking items in their catalog: "Go Down Fighting" starts the album with a sonic boom thanks to its blend of furious riffing with a breathless tempo, and the group's cover of "Teenage Nervous Breakdown" transforms this Little Feat into a runaway locomotive of hard rock riffing…
Greatest Hits is an album by the Scottish hard rock band Nazareth, released in 1975. By this time Nazareth had experienced considerable success with albums and singles. This compilation showcased tracks from the band's third album Razamanaz through their sixth album Hair of the Dog, as well as some non-album singles.
After spending much of 1981 involved in a successful tour, Nazareth returned to the studio with a newfound sense of vigor the next year. The album they produced was 2XS, an outing that stands alongside Malice in Wonderland as one of their finest achievements during the 1980s. Although its sound goes for the sonic sleekness of AOR, it does not skimp on the hard rock elements. For instance, "Love Leads to Madness" boasts the kind of sumptuous power ballad melody that helped it become a radio favorite but is also layered with plenty of surprisingly heavy power chords. 2XS also finds the group cranking out some of their most furious rockers since the days of Expect No Mercy and No Mean City: "Boys in the Band" is guitar-fuelled declaration of intent that moves at a head-spinning double-time tempo, and "Gatecrash" is a party rocker that swings with the raucous verve of early hits like "Bad Bad Boy."
On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs with a stomping beat, and "Gimme What's Mine," a fierce declaration of dominance that layers Southern rock-styled riffs over a churning bassline.