Nazi Best Music

Credit To The Nation - Take Dis
EAC+LOG+CUE | FLAC: 319 MB | Full Artwork | 5% Recovery Info
Label/Cat#: One Little Indian # 828 525-2 | Country/Year: UK 1994
Genre: Pop, RnB | Style: Rap

…Credit To The Nation, Take Dis this album is heritage. Each track flows within children's songs, the monarchy, history and is overshadowed by a relentless voice that carries the ghosts of stories. Sowing the seeds will leave your head immersed within an area seldom traversed and carries a weight invaluable for today's society. A true hip-hop album that broke the pop market. A MUST LISTEN. Why this album has ceased production is shameful… find Credit for the Nation.

A rare and important discovery: 2 quartets (one for guitar and strings, the other featuring the flute) by Ferdinand Rebay, a Viennese composer of the first half of the 20th century. Rebay’s music (unlike his contemporaries of the Second Viennese School) remained in the Late Romantic idiom.The fact that he composed for guitar doesn’t mean his music is light- weight, on the contrary, these are serious and complex masterworks, in which the guitar is explored as an equal and independent instrument.

During a career that spanned nearly five decades, Dietrich Fischer-Dieskau established himself as one of the most accomplished performing artists of the twentieth century. He is widely considered to have been the finest modern interpreter of German lieder, and his extensive operatic career was noted for fine musicianship and powerful characterization. He has also made important contributions as an author, conductor, and teacher.

This, one of Tippett's earliest acknowledged works, is one of his most popular. The music relates the true story of a young German Jew who, terrified and enraged at the treatment of his mother, kills a Nazi officer and touches off a violent pogrom. Tippett adopts the structure of Bach's Passions, in which arias alternate with choruses and Lutheran hymns (chorales), although in place of the chorales Tippett substitutes magnificently moving Negro spirituals. "A Child of our Time" offers music of rage, poignancy, and deep compassion. As the title itself implies, it is both specific to a certain time and place, and universal as well. No lover of classical music can afford to ignore it.

Napalm Death - Fear, Emptiness, Despair [Japan Edition] (1994)
EAC Rip | FLAC, IMG+CUE+LOG | Full Cover | 345 MB | Death Metal,Grindcore

Fear Emptiness Despair is the culmination of Napalm Death's early-'90s meanderings. Everything comes together here, resulting in the album that Harmony Corruption (1990) and Utopia Banished (1992) had foreshadowed – unrelenting grindcore as played by an experienced, technically advanced death metal collective with the guidance of a professional producer (Pete Coleman). "Hung," "Twist the Knife Slowly," and "Plague Rages" are hands down some of Napalm Death's best songs ever, and the remaining songs aren't far short of the mark. These songs are as ferocious as anything the classic lineup of Napalm Death (i.e., the late-'80s grindcore band) had recorded. They can stand alongside the likes of "Unchallenged Hate" and "Mentally Murdered," yet they're intricate and well developed in the manner of the band's later, more elaborate songs like "Suffer the Children" and "The World Keeps Turning." Plus, the professional production gives them a glorious, full-color sheen that early, lo-fi Napalm Death simply didn't have. In the end, it's really that simple – Fear Emptiness Despair is the culminant album fans had been waiting for, the one that again put Napalm Death atop the field of extreme metal (for a while, at least). It's not a perfect album, nor is it their be-all, end-all masterwork, but it's certainly a career highlight and a striking listen.