Nazi Best Music

Roger Taylor (Queen) - Solo Studio Albums Collection 1981-1998 (4CD) Japanese Releases

Roger Taylor (Queen) - Solo Studio Albums 1981-1998 (4CD) Japanese Releases
EAC | FLAC | Image (Cue&Log) ~ 1.23 Gb | Mp3 (CBR320) ~ 445 Mb | Scans ~ 186 Mb
Classic Rock, Hard Rock, Prog-Rock, Art Rock, Dance-Rock | Time: 03:14:11

Drummer and songwriter best known as a member of million-selling album hard rock/glam band Queen. Collection includes: Fun In Space (1981); Strange Frontier (1984); Happiness? (1994); Electric Fire (1998).
20th Century Concerto Grosso - Marriner, Academy of St. Martin in the Fields (2013)

20th Century Concerto Grosso - Marriner, Academy of St. Martin in the Fields (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 252 MB
Genre: Classical | Label: Chandos | Catalog Number: 10791

On this disc, we feature the works of three composers – Vincent d’Indy, Ernst Krenek, and Erwin Schulhoff – who all in the mid- to late-1920s adopted neoclassicism and chose to write works in the neo-baroque concerto grosso style, using a combination of a small orchestra and a small group of soloists. D’Indy wrote the Concert, his last orchestral piece, at the age of seventy-five.

D.A.F. - Für Immer (1982, reissue 1992, Virgin # CDV 2239)  Music

Posted by luckburz at Jan. 16, 2015
D.A.F. - Für Immer (1982, reissue 1992, Virgin # CDV 2239)

D.A.F. - Für Immer
EAC+LOG+CUE | FLAC: 204 MB | Artwork | 5% Recovery Info
Label/Cat#: Virgin # CDV 2239 | Country/Year: UK 1992, 1982
Genre: Electronica, Pop | Style: EBM, Synth Pop, Neue Deutsche Welle

"…Despite their innovations, solid technical ability and raves from the critics, D.A.F. were certainly never ready for prime time. When other artists in the club genre were dancing around the issue of alternative sexuality, D.A.F. was fairly "out" about it – their album covers were blatantly homoerotic and lyrics often dealt with sadomasochism. While D.A.F.'s big, industrial-inspired dance sound certainly had some measure of commercial potential, the group didn't, and they were way ahead of their time – too far ahead. Gold und Liebe followed, much in the vein of Alles Ist Gut, though offering some further refinements in terms of sound and style. Some critics argue that Gold und Liebe represents D.A.F.'s "personal best," though Alles Ist Gut is such a defining statement in retrospect it would seem hard to top. With 1982s Gold und Liebe, D.A.F. decided to disband amicably, as the sequencer they used proved too limited to sustain them artistically beyond what they had already done."
Max Bruch - Rheinische Kantorei / GSO / Hermann Max - Arminius: Oratorio op. 43 (2009)

Max Bruch - Arminius: Oratorio op. 43
Rheinische Kantorei / Göttinger Symphonie Orchester / Hermann Max
2xCD | EAC+LOG+CUE | FLAC: 378 MB | Full Artwork: 152 MB | 5% Recovery Info
Label/Cat#: CPO # 777 453-2 | Country/Year: Germany 2009
Genre: Classical | Style: Romantic, Oratorio

"…First of all, Bruch's music is totally great; there's not a dull moment anywhere in Arminius. It is rousing, heroic, compelling, and follows a libretto that makes strong dramatic hay of its distant historical event in musical terms that certainly would have caused the sun to shine for its intended audience. The orchestration is thrilling, the choral writing bountiful, and the soloists here put over their parts in an effective way without overdoing it. Max of course is best known for conducting Baroque music, but in this two-disc set Max decisively puts his best foot forward…" ~allmusicguide
D.A.F. - Produkt der Deutsch Amerikanische Freundschaft (1979, reissue 1999, Mute # DAF0CD)

D.A.F. - Produkt der Deutsch Amerikanische Freundschaft
EAC+LOG+CUE | FLAC: 208 MB | Artwork | 5% Recovery Info
Label/Cat#: Mute # DAF0CD | Country/Year: UK 1999, 1979
Genre: Rock, Electronica | Style: EBM, Synth Pop, Neue Deutsche Welle

"Deutsch Amerikanische Freundschaft ("German American Friendship"; most commonly abbreviated to D.A.F.) was founded as a five-piece industrial noise outfit in Düsseldorf in 1978, but ultimately winnowed down to a two-man group consisting of vocalist/lyricist Gabi Delgado and drummer/electronic musician Robert Görl. Their early development is linked to the Düsseldorf based group Der Plan, whose members all played in D.A.F. on its first album, Ein Produkt der DAF, minus Delgado, then a member but absent for these recording sessions. Released on the German AtaTak label in 1979 and later re-issued on Mute, Ein Produkt der D.A.F. heralded the beginning of the German branch of industrial music: the first recordings by Einstürzende Neubauten, made two years later, bear a striking resemblance to it…"

D.A.F. - D.A.F (1988, Virgin # CDV 2533)  Music

Posted by luckburz at Jan. 17, 2015
D.A.F. - D.A.F (1988, Virgin # CDV 2533)

D.A.F. - D.A.F
EAC+LOG+CUE | FLAC: 329 MB | Artwork | 5% Recovery Info
Label/Cat#: Virgin # CDV 2533 | Country/Year: Germany 1988
Genre: Electronica, Pop | Style: EBM, Synth Pop, Neue Deutsche Welle

"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."

D.A.F. - Hitz Blitz (1989, JCI # JCD-9027)  Music

Posted by luckburz at Jan. 20, 2015
D.A.F. - Hitz Blitz (1989, JCI # JCD-9027)

D.A.F. - Hitz Blitz
EAC+LOG+CUE | FLAC: 419 MB | Artwork | 5% Recovery Info
Label/Cat#: JCI # JCD-9027 | Country/Year: US 1989
Genre: Electronica, Pop | Style: EBM, Synth Pop, Neue Deutsche Welle

"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."
D.A.F. - Verschwende Deine Jugend (Delkom Remix) (1989, Virgin # 662 077-211)

D.A.F. - Verschwende Deine Jugend (Delkom Remix)
EAC+LOG+CUE | FLAC: 121 MB | Artwork | 5% Recovery Info
Label/Cat#: Virgin # 662 077-211 | Country/Year: Germany 1989
Genre: Electronica, Pop | Style: EBM, Synth Pop, Neue Deutsche Welle

"…Though their impact on the emergent forms of house and techno was huge, D.A.F. has never achieved the recognition they so richly deserve. Nevertheless, for the longest time even Kraftwerk weren't recognized for their contribution to hip-hop, and perhaps ultimately D.A.F. will get their due: they represent one of a very few direct links between avant-garde punk and techno, and flung their lance into the future farther even than Throbbing Gristle."
Polyphony, Stephen Layton - American Polyphony: Barber, Bernstein, Copland, Thompson (2015)

Polyphony, Stephen Layton - American Polyphony: Barber, Bernstein, Copland, Thompson (2015)
EAC | FLAC | Image (Cue&Log) ~ 337 Mb | Mp3 (CBR320) ~ 171 Mb | Scans included
Genre: Classical, Choral | Label: Hyperion | # CDA67929 | Time: 01:14:08

An all-too-rare new recording from Polyphony and Stephen Layton presents highlights from the choral repertoire by four twentieth-century American giants: Samuel Barber, Leonard Bernstein, Aaron Copland and Randall Thompson. Framed by Thompson’s understated favourites Alleluia and Fare Well, the programme includes Bernstein’s Missa brevis, Copland’s early set of four motets, and—of course—Barber’s inimitable Agnus Dei.

Agnostic Front - Victim In Pain (1984)  Music

Posted by uff at Feb. 10, 2017
Agnostic Front - Victim In Pain (1984)

Agnostic Front - Victim In Pain (1984)
Punk | 1cd | EAC Rip | Flac + Cue + Log | covers
Bridge Nine, B9R129 | rem: 2009 | 150Mb

Picture this. It is 1984 in New York City, more specifically Lower East Side, New York City. The streets literally look like a warzone. To say times were tough back then would be an understatement. Blocks were littered with bums, not a care in a world, just wasting way on the street corner. Prostitutes and junkies everywhere you look. Gang fights as common as graffiti in an alleyway. So what were 4 middle class kids in a band called Agnostic Front to do? Move to the suburbs? Not likely.