Neil Fuller

The title of this latest release from bassist Neil Swainson is fitting: HERE FOR A WHILE. Amen to that. At 68, he’s had not just a long career, but a most distinguished and impactful one. In Canada and internationally, a world-class musician.

The title of this latest release from bassist Neil Swainson is fitting: HERE FOR A WHILE. Amen to that. At 68, he’s had not just a long career, but a most distinguished and impactful one. In Canada and internationally, a world-class musician.

Neil Young & Crazy Horse - Live at the Fillmore East 1970 (2006) {Reprise Records 44499-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1970, 2006 Reprise Records | 44499-2
Rock / Folk Rock / Hard Rock / Southern Rock / Classic Rock

Ever since he started rumbling about releasing his archives some 20, 30 years ago – it's been so long, it's hard to keep track of the specifics – Neil Young talked about it as a mammoth box set, or perhaps a series of box sets each chronicling a different era in his career, comprised entirely of unreleased recordings, some live, some studio. It was an eagerly anticipated set, since everybody knew that he had scores of unreleased recordings in his vaults. Not just songs, but full albums that were scrapped at the last minute.

Stunning 100 CD set containing a plethora of classic Bebop Jazz. Bebop marked the beginning of Modern Jazz, a musical and technical revolution and the first example of Jazz as an art. New harmonic structures coupled with improvising at a fast tempo together with hip outfits.

If compiler Neil Slaven was an axe hero, he says he would favour a Danelectro Guitarlin, with its longhorn body, its lipstick pickups and coke-bottle machine head. Perhaps he d settle for the red Gretsch Duo-Jet Bo Diddley sported on his first album cover. That puts him out of step with most of the guitarists gathered on Deep Feeling. Albert King favoured the Flying V, Buddy Guy liked the metallic clatter of a Strat and Muddy Waters slashed his slide down a Telecaster neck. Semi-acoustics were the name of the game for the average blues guitarist. B.B. King and Little Milton took an early shine to the Gibson ES-335 (our cover star incidentally, in rare original watermelon cherry finish), although B s Lucille was actually a slimline 355…