It is a confession: Maik Krahl makes fear a subject of discussion. Fear of making decisions or doing something that you might regret later. The fear of making an irreparable error, perhaps ruining your future as a result, being rejected or giving offense. Not a few people are inclined to postpone answers to urgent questions in the hope that everything will somehow solve itself. But only waiting even increases the problem.
One is inclined to speak of “soulmates” after hearing Simon Höfele and Elisabeth Brauss play as a duo and after getting to know them both personally. It is like two people connecting with one another in music and in conversation when they either know each other very well or have forged a special bond for some other reason. The latter is sure to be true – this album is their first joint recording venture, and they have not been working together for very long either.
Oddly, there is no listing of instruments in the CD leaflet, but the core group is a trio of electric guitar, bass, and drums, with "guest" flutist Stefano Benini added on several numbers. This is a concept album, what leader Carlo Ceriani calls "a new reading" of "music of [his] generation." Ceriani contributed tunes of his own in addition to ones written by or associated with 1960s icons Jerry Garcia, the Grateful Dead, King Crimson, and others of that era. The guitarist generally takes all the pieces at a relaxed pace, treating them respectfully as jazz heads, focusing on the essence of the themes, and reminding us just how beautiful some of these classic rock melodies can be.