Nito Mestre

Carlos Alberto Mestre (born August 3, 1952 in Buenos Aires, Argentina) mostly known by his stage name Nito Mestre, is an Argentine musician, founding member –along with Charly García– of Sui Generis, member of PorSuiGieco, bandleader of Nito Mestre y los Desconocidos de Siempre and a recording solo artist. Sui Generis, was initially formed in 1969 by Charly García (keyboards and vocals), Nito Mestre (guitar, flute and vocals), Rolando Fortich (bass guitar), Juan Belia (guitar), Alberto Rodriguez (drums) and Carlos Piegari (vocals). Later on, Sui Generis became a duo as everyone left except for García. After the band split in 1975, Nito Mestre formed a new band called "Nito Mestre y los Desconocidos de Siempre" with María Rosa Yorio on vocals, Rodolfo Gorosito on guitar, Alfredo Toth on bass, Ciro Fogliatta on keyboards and Juan Carlos "Mono" Fontana as a drummer. In the early 80s, Nito pursued a solo career.

Carlos Alberto Mestre (born August 3, 1952 in Buenos Aires, Argentina) mostly known by his stage name Nito Mestre, is an Argentine musician, founding member –along with Charly García– of Sui Generis, member of PorSuiGieco, bandleader of Nito Mestre y los Desconocidos de Siempre and a recording solo artist. Sui Generis, was initially formed in 1969 by Charly García (keyboards and vocals), Nito Mestre (guitar, flute and vocals), Rolando Fortich (bass guitar), Juan Belia (guitar), Alberto Rodriguez (drums) and Carlos Piegari (vocals). Later on, Sui Generis became a duo as everyone left except for García. After the band split in 1975, Nito Mestre formed a new band called "Nito Mestre y los Desconocidos de Siempre" with María Rosa Yorio on vocals, Rodolfo Gorosito on guitar, Alfredo Toth on bass, Ciro Fogliatta on keyboards and Juan Carlos "Mono" Fontana as a drummer. In the early 80s, Nito pursued a solo career.

Sui Generis is one of the most important rock bands in Argentine history, enjoying enormous success and popularity during the first half of the 1970s and a following that lasts to the present throughout South America. Argentinean folk-rock band Sui Generis was formed in the early '70s by singer, guitarist, and keyboardist Charly García and singer/instrumentalist Nito Mestre, who met while being high school students. Their first record, called Vida, was released in 1972, followed by 1973's Confesiones de Invierno. The following year, bassist Rinaldo Rafanelli and drummer Juan Rodríguez joined the act, soon recording Pequeñas Anécdotas Sobre Las Instituciones. Due to internal discrepancies, the group decided to perform for the last time at Buenos Aires' Luna Park on September 5, 1975.

Desenchufado is the tenth studio album by Argentine singer-songwriter León Gieco. It was released in 1994 by the EMI label and produced by Daniel Goldberg. The album is an irony to the world trend imposed by the North American MTV of the Unplugged. In this case, it was a formidable remake of León's classics, including "El fantasma de Canterville", composed by Charly García for the singer-songwriter, and a new song called "Como un tren" (lyrics by Gieco , while the music is by Gurevich). The presentation of this album in the Capital was only at the end of 1995, with Nito Mestre, Rodolfo García, Oscar Moro and the former Oveja Negra as guests.

Who would have thought that this little hippie folk album would make such a big impact in Argentine music and lead to much better things?