Specializing in a unique worldbeat hybrid of American folk, blues, and the rhythmically unfixed Middle Eastern traditional style known as taqsim, Netherlands-based No Blues call what they play "Arabicana," and it's an apt term. Essentially a trio of American, Middle Eastern, and Dutch musicians, with ex-Deirdre and W.A.T. member Ad Van Meurs on guitar, Haytham Safia on oud, and former Marbletones member Anne-Maarten Van Heuvelen on bass, No Blues also featured percussionist Osama Maleegi, vocalist Ankie Keultjes, and drummer Eric Vanderlest on 2005's Farewell Shalabiye and 2007's Ya Dunya (which also included a prominent and active guest spot from Tracy Bonham on violin and vocals).
Forget blues as a way to weep or feel angry over jilted love - Sharp breaks, and rewrites the rule book. Familiar themes like feeling upset over an unfaithful partner are extended to warning about lovers who spend too much time on the golf course, betting the horses at the track, or worse, glued to the TV in "Cheatin' on Me." Seemingly policitcally incorrect, she advises the way to a man's heart is through his stomach in "Keep on Cookin'." Never mind if the grub is fat-laden or piled with sugar - keep him happy! Her over-the-top, come-out-kickin'-at-ya vocals are not for the faint-hearted. Anyone aspiring to a singing career would do well to pay heed to Sharp's emphasizing of key phrases to draw in the listener. Miles Joseph's guitar comes across blaring, but never overpowers Sharp.
This surprising italian duo takes on their own version of the blues, remiding us of Seasick Steve or the Black Keys. This «"Best Of" album gathering their firsts songs marks their entry among the talents to keep an eye on !
JSP's Atlanta Blues compiles four CDs of performances by Julius Daniels, Curley Weaver, Georgia Browns, Peg Leg Howell, Henry Williams & Eddie Anthony, Macon Ed & Tampa Joe, Lil McClintock, and Lillie Mae. It's hard to go wrong with these 101 recordings cut between 1926 and 1949…
The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.
An intriguing collection of rare cuts highlighting the sheer wealth of remarkable material that comes to light by digging that bit deeper into the country blues archive.