
Béatrice et Bénédict, Berlioz's last completed work, is based on Shakespeare's Much Ado About Nothing, but the libretto, by the composer, dispenses with most of the intrigue of the original and reduces the plot to a single premise: Béatrice et Bénédict mask their affection for each other by squabbling, and then finally come to their senses and get married. Although designated an opera, it is closer in effect to an opéra comique because of its very extensive use of spoken dialogue.
Following its successful full length opera, Artaxerxes, Classical Opera return with the first in an epic series of Mozart operas, Apollo et Hyacinthus. Named in The Guardian as one of ‘The Best Classical albums of 2012’. Classical Opera has mounted two staged productions of Mozart’s Apollo et Hyacinthus (1998 and 2006), with both receiving wide critical acclaim; The Independent stated, “Classical Opera’s polished debut in Apollo et Hyacinthus proved a pearl beyond price. Here was a work of staggering beauty riddled with sweet noises like Caliban’s enchanted isle.”
Led by classically trained drummer Christian Vander, the Paris-based Magma have been, in their way, perhaps the ultimate progressive rock group; while other artists have achieved greater commercial success and critical acclaim, Magma have typified the many ambitions and excesses of the genre that won them as many detractors as fans, even going so far as to invent their own lyrical and musical language in order to bring their unique vision to life…