Kevin Volans is probably most famous for the 1984 Kronos reworking of White Man Sleeps. His beginnings in South Africa to the Neue Einfacheit (in English, New Simplicity) of West Germany with the theorist Karlheinz Stockhausen, whose seminal sine-waves and soundscapes shaped the landscape we understand in electronic music today, are well-documented. The Man With Footsoles of Wind, an opera about the enterprise of the influential poet Arthur Rimbaud in Ethiopia, remains very much on my ‘listening wishlist’. Volans is obviously a musicologist. He is undoubtedly a modernist. This is 2022. He has offered us Études, a collection of his own previously unreleased solo piano works performed by Jill Richards and a second-half where he performs Liszt. The listener has been invited into “a sound world” with “extremely complex and challenging arrangements”.