Now Sounds Cherry Red Records

Various Artists - A Slight Disturbance in My Mind: The British Proto-Psychedelic Sounds of 1966 (2020) {Grapefruit Records}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 1.04 Gb | MP3 @320 -> 547 Mb | Cover | 5% repair rar
© 1966, 2020 Grapefruit Records / Cherry Red | CRSEGBOX066
Rock / British Invasion / British Psychedelia / Freakbeat / Psychedelic / Mod

Another lovingly curated rock & roll gem from Cherry Red's archival Grapefruit Records imprint, A Slight Disturbance in My Mind is an expansive three-disc set entirely devoted to the opening phases of Britain's budding psychedelic movement. By late 1965, the American underground, particularly San Francisco's LSD-inspired drug culture, had begun to infiltrate popular music. The Byrds and other West Coast groups began to adopt a more experimental attitude while in the U.K. bands like the Yardbirds and, more prominently, the Beatles forged their own new directions away from rock's more easily digestible conventions.

If 1976 was year zero for punk rock in the U.K. with the Sex Pistols and Clash blowing up and taking over the music press, 1977 was the year record shops were flooded with singles by all sorts of bands capitalizing on the sound, fury, and attitude of punk. Cherry Red's 1977: The Year Punk Broke is a chronologically chosen three-disc selection of singles that touches on some of the biggest releases of the year plus loads of tracks that still sound rough and ready by bands who didn't stand the test of time.

This 5xCD box set from Cherry Red offers a compelling look at shoegaze's prime era. Still in a Dream takes a wide trawl approach to its genre, which has upsides and downsides. As with Rhino’s goth box A Life Less Lived, shoegaze is generously interpreted to include antecedents and formative influences, which bulks up the quality.

Formed in Buffalo, New York, in 1989, MERCURY REV quickly grew to become leading figures in left field alternative rock. Earlier albums veered towards experimental, off-kilter psychedelia but by the end of the decade, the band had developed their own brand of serene, piano-based Americana with the acclaimed, best-selling LP Deserter’s Songs (1998).

As the post-punk dust began to settle, a particular strand of artist began applying a knowingly distant, colder aesthetic to their work. While much of the scene began to be dominated by bigger budget, commercially minded former punk and new wave acts, a darker undercurrent did survive, often more interesting, more dangerous and sexier than anything that could be heard on Top Of The Pops at the time. The first generation of the darkwave movement consisted of bands that were equally influenced by the fractured drama of Depeche Mode, Siouxsie & the Banshees and The Cure as they were by the art damaged experimentation of Cabaret Voltaire, Wire and Throbbing Gristle, always rich in Gothic spirt, societal displacement, urban isolation and sexual energy.

As the post-punk dust began to settle, a particular strand of artist began applying a knowingly distant, colder aesthetic to their work. While much of the scene began to be dominated by bigger budget, commercially minded former punk and new wave acts, a darker undercurrent did survive, often more interesting, more dangerous and sexier than anything that could be heard on Top Of The Pops at the time. The first generation of the darkwave movement consisted of bands that were equally influenced by the fractured drama of Depeche Mode, Siouxsie & the Banshees and The Cure as they were by the art damaged experimentation of Cabaret Voltaire, Wire and Throbbing Gristle, always rich in Gothic spirt, societal displacement, urban isolation and sexual energy.

Four exceptional hours of music that defines British pop at the end of a tumultuous decade. Continuing Cherry Red’s yearly overview of the late ‘70s UK “new music” scene.