nu King

Dog Eat Dog - All Boro Kings
EAC+LOG+CUE | FLAC: 338 MB | Full Artwork: 133 MB | 5% Recovery Info
Label/Cat#: Roadrunner Records # RRCY-3008 | Country/Year: Japan 1994
Genre: Rock | Style: Funk Metal, Hardcore, Rap

Dog Eat Dog, an American band originally from Bergen County, New Jersey, began in 1990 as part of the hardcore music scenes of New York City and New Jersey. With members now scattered through New Jersey, Washington D.C. and Europe, the band refers to themselves as being based out all three locations. Dog Eat Dog was one of the earliest bands to fuse hardcore and rap, a style that would later become commonplace. Dog Eat Dog has achieved commercial success with singles such as "No Fronts", "Expect The Unexpected" and "Who's The King" - all showcasing their blend of hardcore, rap and saxophone. Since their first album, the band's sound has evolved to incorporate elements of funk, ska and hip hop.

The collectible eight pound 17" X 3" metal eagle, which has the ability to be hung on a wall, the special edition, limited to only 3000 copies will include deluxe digipak (folds out into "inverted cross"), bonus BluRay & DVD including "SLAYER Live At Wacken 2014" and "Making Of Repentless Documentary", bonus live CD "SLAYER Live At Wacken 2014", fold-out poster, album sticker and numbered certificate

Afrobeat’s rise to common musical currency has been mercurial during the last 5 years as dance music producers embrace more complex Afro rhythms and original West African pioneers like Fela Kuti and Tony Allen receive their dues. Featuring new hip hop from Ty alongside seminal house beats from Masters At Work and ultra-funky original music from Nigeria and Ghana courtesy of Fela Kuti, highlife God E.T. Mensah and more. 2 CD collection of 29 tracks then hits the groove straight away with Aslhley Beadle’s ‘Afrikans On Marz’ mix of Femi Kuti’s ‘Beng Beng Beng’, next up the classic Dennis Ferrer track ‘Funu’ which then leads us to a nicely different track with Tony Allen’sAfrobeat mix of Gigi’s ‘Gudfella’. So many more I could pick out too including DJ Food ‘Dub Lion’ and Orchestre Poly-Rhythmo De Cotonou Benin’s ‘Houe Towe Houn’. Suffice to say this does the job big time.

The Man with the Red Horn. Nils Landgren’s nickname is apt. It brings to mind the fiery, coruscating energy with which the charismatic, soulful trombonist leads his Funk Unit. And yet there are many other facets to this hugely popular Swedish musician. In the course of a 40-year career, he has taken on many roles, producing albums, directing festivals, leading big bands, teaching in universities…

After a three-year break that included solo projects and soundtrack work, Korn's re-emergence in the summer of 2002 was met with great anticipation. They delivered Untouchables, an album that shows them building on their previous sound and emphasizing its strengths. The use of melody is more important than ever, allowing Jonathan Davis to utilize his wide palette of vocal tricks. His charismatic voice can now move from a clear-throated wail to a death metal growl with ease, lending the album a manic side that brings to mind King for a Day, Fool for a Lifetime-era Faith No More…