Nude Art

Horror director Jean Rollin followed up Le Viol du Vampire with this equally strange excursion into vampiric eroticism. The plot concerns a suicide cult led by a mysterious figure known as The Master. Oliver Martin is the hero, who tries to rescue pretty Caroline Cartier from the cult, only to find out that yet another group of vampires wants to save her too. There's people with reindeer heads, the usual artsy sex and violence, and a science-fiction subplot about a doorway to another dimension (as in the later Phantasm). Maurice Lemaitre and Bernard Musson co-star in this pretentious but enjoyable shocker.

Unique international project of German producer Regina Ziegler, "Masterpieces of World Cinema Erotic Culture". Under this project, a famous film director was given a chance to demonstrate their personal view of the erotic at the end of the twentieth century. Erotic Tales: The Dutch Master; Wet; Vroom, Vroom, Vroom; The insatiable Mrs. Kirsch; The Cloud Door; Touch Me; Sweeties; Hotel "Paradise"; Devilish Education; The Elephant Never Forgets; The Waiting Room; Sambolico.

One of the most accomplished and creative filmmakers in British cinema, Derek Jarman rose to prominence as an intensely creative force during the late 70s, 80s and early 90s. A maverick artist foremost, Jarman’s attention to detail and unconventional approach to filmmaking has been matched by few others. Along with fellow classicist Peter Greenaway, Jarman’s unique ability to blend music and imagery, exploring both the personal and the political is profoundly engaging.

Dariya the maid getting a boy to touch her large breast is just one incident that occurs when Yohan and Victor infiltrate two families, forcing young Liza and blind Ekaterina to appear in porn, but they are not so innocent themselves.

This exclusive video collection is jam-packed with the gritty best from noted New York filmmaker Richard Kern. His sexually-charged work has been alternately dismissed as “violent” and “offensive” by the mainstream press, but embraced by the underground as the perverse standard. Says Kern, “I've tried it all: crime thrills, drug thrills, sex thrills. Nowadays, I get most of my thrills by offending people with my films. I don't even have to be there. I can sit far away and think, “Someone's watching my video right now and thinking, Yeeughh!”

Jennifer, an intelligent but insecure 14-year-old student at a boarding school, seduces her married dormitory counselor, a photographer who has offered to teach her about his art and winds up shooting her in the nude. She is naive, and he manipulates her into an affair that eventually is discovered. Years later, as the photographer is being investigated by the FBI, the adult woman remembers her first love as a case of herself watching the artist who watched her.

Italian director Pier Pasolini tells four of the Chaucer tales in this graphic and satirical picture that chronicles the 14th-century's social, sexual, and religious standards in England.

A superstitious, illiterate young gypsy servant girl comes to live with a solitary female artist at her country chateau. The girl has recurring nightmares of a naked man on horseback assaulting and abusing her. As the artist takes the girl under her wing, an sensuous relationship develops between them. At the same time, the naked horseman begins to appear in reality. The girl, convinced that he represents her doom, resists him; but the artist is intrigued and a bizarre erotic triangle is established.