Numero Group

Guitar Soli documents the solo acoustic guitar movement that flourished between 1966 and 1981. The collection highlights a range of little-known innovators who bridged the chronological gap between the American Primitivism of John Fahey and Robbie Basho and the California Modernism of Michael Hedges and William Ackerman. Inside, discover the raga-influenced Ted Lucas, the mad-genius luthier William Eaton, the detuned loner Brad Chequer, and the classically trained, soon-to-be-mystery novelist Daniel Hecht.

Numero Group Presents Eccentric Soul: The Shiptown Label album riginal hits and the original artists genre Soul, RnB.

Ned Doheny’s Hard Candy, originally released in 1976, is widely considered the finest blue-eyed soul album of all time. Produced by the legendary Steve Cropper, it featured a veritable who’s-who of the Laurel Canyon soft-yacht sound (JD Souther, The Eagles, Linda Ronstadt, the entire horn section for Tower of Power!) yet bombed mysteriously. It’s been a cult record since.

Despite the history behind it, singer/songwriter Ned Doheny’s last name might be the least interesting thing about him. Yes, Los Angeles native Doheny is descended from the family for whom Doheny Drive is named, a family marked by triumph (patriarch Edward L. Doheny was at one time the second richest oil tycoon in America, second only to John D. Rockefeller) and tragedy (Edward’s son, the first Ned Doheny, died in a headline-making murder-suicide).

A double album boil down of Numero’s 2012 45 x 45RPM art object Eccentric Soul: Omnibus. Gathering 25 loose remnants from across the American soul diaspora, Minibus connects the dots between group harmony, funk, disco, and modern soul, 1966-1980. Housed in a deluxe gatefold, tip-on jacket and illustrated with co-pious notes and photographs, the first ever LP pressing fills in a crucial hole on your Numero shelf.

Nose-to-tail good vibes from early ‘90s London, scanning street soul’s links to Chicago House, jungle and swingbeat R&B via 18 all-timers from the legendary V4 label. Trust, it's a pearl.

Joining Otis, Wilson, and Percy, plus both Sam and Dave, is a new deity in the eternal soul pantheon. Take it from Syl Johnson himself: “This box set is the history of a masterful artist whose time has just arrived.” The self-proclaimed “most sampled artist ever,” Syl finally gets his due on this 4CD box covering his most productive period, 1959 through 1972. Collected for the first time are all of Syl’s Federal, Twinight, Zachron, Special Agent, Cha Cha, and TMP-Ting 45s, plus period cuts from his Japan-only LP Goodie Goodie Good Times, and a murderer’s grip of previously unreleased and little-heard out-takes. Lovingly remastered from the original source tapes, these 81 songs never sounded sharper, clearer, or funkier. And historian Bill Dahl’s comprehensive track-by-track annotations bring deep-research backstory to every one.

The Numero Group is an archival record label that creates compilations of previously released music, reissues original albums, and creates album reconstructions from a variety of musical genres. The label, known as Numero, was founded in 2003 by Tom Lunt, Rob Sevier, and Ken Shipley. The label's focus since its 2003 founding has been to research and preserve obscure recorded material and ephemera by artists and entrepreneurs who found little commercial success upon their material's initial release.

A double album boil down of Numero’s 2012 45 x 45RPM art object Eccentric Soul: Omnibus. Gathering 25 loose remnants from across the American soul diaspora, Minibus connects the dots between group harmony, funk, disco, and modern soul, 1966-1980. Housed in a deluxe gatefold, tip-on jacket and illustrated with co-pious notes and photographs, the first ever LP pressing fills in a crucial hole on your Numero shelf.