Off to be The Wizard

So begins director Victor Fleming's The Wizard of Oz, a timeless, truly magnificent classic that's as charming and endearing today as it was seventy years ago. Born in an age when soul and spirit were invested in every frame, when digital effects had yet to be conceived, when craftsmanship sat upon the same cinematic throne as creativity, the seemingly simplistic story of a young girl's quest to escape a strange land of talking animals and sneering creatures has emerged as one of the most indelible, recognizable, and untouchable films in history. From actress Judy Garland's unforgettable rendition of "Somewhere Over the Rainbow" to her cries of joy upon returning home, Oz has few equals. From the bustling land of the Munchkins to the frightening kingdom of the Wicked Witch of the West, it boasts stirring artistry and design. From Dorothy's declaration that she isn't in Kansas anymore to her first, hushed utterance of "there's no place like home," it transcends age, capturing the imagination of anyone, young or old, lucky enough to set their eyes on the majesty of its yellow-brick road.

The Russian shamans Lord Of Doubts returned from their journey in the cold steppes with a killer three track EP called "The Gates Of Doom". To be honest I was expecting a full album coming after their last year debut one but I can live with this little fix too. For once more the comparison to Electric Wizard is inevitable (personally I hadn't problem with that and neither have now). But these guys seem to catching their own sound step by step. Anyway, I liked their album and definitely I dig this one too. Ritual sludge - doom full of psychedelic vibes. In this EP they created even gloomier and thicker atmosphere. Since latest Electric Wizard's work might have disappointed many of you, this is what you need…