The word "supergroup" has often been used to describe O.S.I., one of the best-known progressive metal/progressive rock acts to emerge in the United States in the 2000s – and considering who has been leading O.S.I., that word is not an exaggeration…
Like "Chant Byzantine" before it, this recording is superb, and Sr. Keyrouz's vocal performance is stellar–almost without peer. The singing is crystal clear, and the conviction and love felt for the subject of each hymn, carries through her voice to the listener.
The laus perennis that the monks every day in their psalmody offer to the Lord, is adorned with hymns, antiphons and responsories; all chants drawn from the ancient gregorian repertory. With this daily practice and custom, the monks become almost the only custodians and specialists of this patrimony of the highest religious, cultural and artistic merit that is gregorian chant. The monks of Montecassino – always faithful cultivators of this venerable chant, proper to the lit- urgy of the Church – with the present CD want to make these melodies, which are an elevated form of prayer, resound also outside of the monastery walls. The recording was completed at the Tomb of St. Benedict and is intended as an affectionate hymn of sons towards their father and master: in fact, a good part of the liturgy of the Solemnity of St.Benedict of the traditional date of March 21 was performed.
The word "supergroup" has often been used to describe O.S.I., one of the best-known progressive metal/progressive rock acts to emerge in the United States in the 2000s – and considering who has been leading O.S.I., that word is not an exaggeration. The leaders of O.S.I. have included guitarist/keyboardist Jim Matheos and lead singer/keyboardist Kevin Moore, both of whom bring strong prog and metal credentials to the table…
The services of Matins and Lauds in the Roman rite for the last three days of Holy Week, the so-called Sacred Triduum are – or were before being replaced by the vernacular liturgy – beautiful and complex. Matins for Maundy Thursday, Good Friday and Holy Saturday consist of psalms with antiphons, readings from the Lamentations of Jeremiah and versicles and responsories related to and reflecting upon the events of those days. Over the centuries they have proved fruitful inspiration for music, even in post-reformation England, where the Book of Common Prayer continued to prescribe readings from Lamentations and settings of them, often in Latin, continued to be sung in cathedrals and collegiate churches.