Only When i Laugh

It is 1971, and journalist Raoul Duke barrels toward Las Vegas - accompanied by a trunkful of contraband and his slightly unhinged Samoan attorney, Dr. Gonzo - to cover a motorcycle race. What should be a cut-and-dried journalistic assignment quickly descends into a feverish psychedelic odyssey. Director Terry Gilliam and an all-star cast headlined by Johnny Depp and Benicio Del Toro show no mercy in bringing Hunter S. Thompson’s excoriating dissection of the American way of life to the screen, creating a film both hilarious and savage.

Ismael Lopez (Elejaldo), a petty criminal, shoots and kills a painting restorer during a bungled burglary, and shoots her daughter as well. Twenty years later, and the daughter Leire (Alvarez) has been left mute and with a mental age of a child, spending most of her time in a mental home. A chance meeting between Leire and Ismael, who now works in a bar, leads Ismael to think that she still ight be able to recognise him, and turn him in to the police. With the help of his girlfriend Maite (Lio), he kidnaps Leire and chains her to the bed in his house. He is unable to kill her, however, and instead asks the mental home for a ransom for her return. Whilst a prisoner, though, Leire and Ismael grow closer and closer through his attempts to make her laugh and their mutual love for chocolate.

Celebrating the virtuosity of the Man of a Thousand Faces!
Long before teams of technicians used computers to bring monsters and superheroes to the screen, one man with little more than a makeup kit and a remarkable acting talent dazzled moviegoers with his ability to transform himself into all manner of men, monsters and outcasts. That man was Lon Chaney.

Collection of films released to commemorate the 100th anniversary of the birth of Swedish film star Greta Garbo.

The poignant, deadpan films of Aki Kaurismäki are pitched somewhere in the wintry nether lands between comedy and tragedy. And rarely in his body of work has the line separating those genres seemed thinner than in what is often identified as his “Proletariat Trilogy,” Shadows in Paradise, Ariel, and The Match Factory Girl. In these three films, something like social-realist farces, Kaurismäki surveys the working-class outcasts of his native Finland with detached yet disarming amusement. Featuring commanding, off-key visual compositions and delightfully dour performances, the films in this triptych exemplify the talents of a unique and highly influential film artist.

Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.

Prepare to witness miracles because Sion Sono (SUICIDE CLUB, EXTE) has returned with his most inspired work to date: 4-hour odyssey of love and hysteria, perversion and poignancy, sacrilege and chaos. A recent screening at the Berlin Film Festival landed two prestigious awards and laid waste to a legion of flabbergasted viewers who are probably still trying to understand how they feel about it. Sono’s unconventional ode to the agonies of love defies any attempt at quick synopsis. A fetishistic social satire, a sweet-faced love story and a ferocious anti-establishment manifesto that jumps from comic book kookiness to heartfelt severity in the blink of a tearing eye, LOVE EXPOSURE is a once-in-a-lifetime milestone in eccentric cinema.

Ricky Gervais and Stephen Merchant are outraged that Karl has written off the Seven Wonders claiming they're all "a bit s**t" having never seen any of them with his own eyes. They've thrown down the gauntlet to send him around the globe to force him out of his comfort zone. Stephen wants the experience to broaden Karl's mind and change his outlook on the world. Ricky wants Karl to hate every minute of it for his own amusement.

Life is tough on the countryside. Bendegúz Regős, a naughty, die-hard kid could talk for hours in confirmation. He was still just a teenager and people considered him on many ways to be a genius, but also that he should have been hanged when he was just a new-born baby. When his mother sends him to work at the Train-Stop, the boy suffers because of the greedy horse seller, the lazy train-stop manager, the envious peasant, and above all, because of the Stinky Old Hag.