Open Studio Jazz

Brad Mehldau Trio - The Art Of The Trio (2011) [7CD BoxSet] {Nonesuch}
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© 2011 Nonesuch Records | 7569-79839-5
Jazz / Post Bop / Progressive Jazz / Piano

In listening to the five years of the Brad Mehldau Trio represented in this box set, one hears the unfolding of a new and significant part of modern jazz history, as the end of the 1990s opened the door on the explosive creative renaissance of the music in the 21st century. Nonesuch has compiled the five releases in the Art of the Trio series, as well as an additional disc of unreleased recordings from the same period (1997-2001), offering a serious reconsideration of what has already been accepted as a "next step" for the jazz piano trio's history.

Charlie Parker - At The Open Door (1953) {2CD Set Ember Records EMBCD 508 rel 2000}
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© 1953, 2000 Ember Records / TKO Magnum Music | EMBCD 508
Jazz / Bebop / Bop / Alto Saxophone

On July 26, 1953, Charlie Parker performed at the Open Door, a club near Washington Square in New York's Greenwich Village, with trumpeter Benny Harris, pianists Bud Powell and Al Haig, bassist Charles Mingus, and drummer Art Taylor. This was exactly when Jack Kerouac was hanging out at the Open Door, absorbing the sights and sounds and taking notes that would soon form the basis for his novel The Subterraneans. It is possible and even likely that Kerouac was in the audience while these recordings were being made. The aural ambience is literally shaped by the room, the cigarette smoke, the crowd, the intoxicants, and the primitive tape-recording apparatus used to capture these precious moments near the end of Charlie Parker's brief life.

Ornette Coleman - Chappaqua Suite (1965) {2CD Set 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4043~4}
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© 1965, 2014 Columbia / Sony Music Japan | SICP 4043~4
Jazz / Avant-Garde Jazz / Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. This four-part suite is actually a film soundtrack to the debut feature by Conrad Rooks, though it was never used as such. Recorded in 1965, it was performed by the Ornette Coleman Trio with Charles Moffett on drums and David Izenson on bass; augmenting the session were Pharoah Sanders on tenor and a large studio orchestra arranged by Joseph Tekula. What is most notable is the kind of control Coleman has over the orchestra. His trio is playing by intuition, which was normal for them, but they open to accommodate the more formal constructs of a band who knows little about improvisation and how it works in the free jazz context.