Orchestra

The Anthology of the Royal Concertgebouw Orchestra is a transcription in sound of the concert-giving history of the Concertgebouw Orchestra, based upon radio recordings from the archives of Dutch Radio and Radio Netherlands World Service. Six decades of the 20th century are put under the spotlight in six boxes, each containing 14 CDs. We have chosen not only legendary performances under chief conductors of the KCO but also concerts led by countless guest conductors of both greater and lesser renown. Famous soloists make their debuts with the orchestra alongside world premieres of works that have since become classics of the repertoire. This fifth volume of the Anthology features the radio recordings made by the orchestra in the 1980s, presenting an overview on 14 CDs of the orchestra's artistic development under various conductors during that period.

Accardo's performances are nothing short of spectacular, and (the late) Kurt Masur and the Gewandhaus's performances never disappoint. Most classical audiophiles may be familiar only with Bruch's first violin concerto and the "Scottish Fantasy," but there are two more wonderful violin concertos, a Romance, a Konzertstuck, a Serenade, a piece entitled "Adagio Appassionato" and a piece that was new to me, "In Memoriam," a very beautiful and moving composition that is the last band on the last record.

Eduard van Beinum - Concertgebouw Orchestra - Live - The Radio Recordings (2000) {11CD Box Set Q Disc 97015 rec 1935-1958}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.08 Gb | MP3 @320 -> 1.80 Gb
Full Artwork @ 600 dpi (jpg) -> 411 Mb | 5% repair rar
© 2000 Q Disc | 97015
Classical / Orchestral

Finally Dutch conductor Eduard van Beinum is receiving attention he so richly deserves with many of his superb performances appearing on CD. Philips has issued most of his commercial recordings for that label, available mostly in Holland. Dutton Laboratories, LYS and Japanese Decca also have issued a number of recordings (with many yet unissued—see our Features article on Van Beinum). Now we have this set of live concert performances dating from 1935 through 1958. The earliest are from 78 rpm acetates some of which were not in very good condition. Some, not all, have surface disturbances even the most precise digital processing cannot eliminate. However, for the collector this is relatively insignificant considering these remarkable performances.