Orleans 1975

Giants of Jazz presents all of the music recorded in New Orleans, LA by 71-year-old Earl Hines on January 30 and 31, 1975. A consistently surprising pianist whose modernistic impulses began to revolutionize how jazz was played during the late '20s and (in solidarity with those of Duke Ellington) led directly to the innovations of Dizzy Gillespie, Thelonious Monk and Jaki Byard, Hines sounds entirely at home among friends performing material from the traditional jazz and Dixieland repertoire. The band is excellent, with a front line of trumpeter Wallace Davenport, trombonist Tom Ebert and clarinetist Orange Kellin. The pianist's rhythm section mates were banjoist/guitarist Emanuel Sayles, bassist Lloyd Lambert and drummer Louis Barbarin. Hines sings on "(I Ain't Gonna Let Nobody Have None Of My) Jelly Roll" and "Do You Know What It Means to Miss New Orleans."

The Manhattan Transfer first came to the general public's attention as a retro act, a nostalgic throwback in a era consumed with nostalgia – the early/mid-'70s – and their debut Atlantic album, as well as their 1975 summer replacement TV series, catered unashamedly to that market. As a result, this record seemed old when it came out, and it still sounds more than a little sappy, especially when one considers the astonishing growth of the Transfer since…

The first studio album of Band originals since 1971's Cahoot – in many respects, Northern Lights-Southern Cross was viewed as a comeback. It also can be seen as a swan song, in that its recording marked the last time the five members would work together in the studio as a permanent group, with a commitment to making a record they would tour behind and build on as a working band. The album was also, ironically enough, the Band's finest since their self-titled sophomore effort, even outdoing Stage Fright.

After recording Band on the Run as a three-piece with wife Linda and guitarist Denny Laine, McCartney added Jimmy McCulloch on lead guitar and Geoff Britton on drums to the Wings line-up in 1974. Having written several new songs for the next album, McCartney decided upon New Orleans, Louisiana as the recording venue, and Wings headed there in January 1975. As soon as the sessions began, the personality clash that had been evident between McCulloch and Britton during Wings' 1974 sessions in Nashville became more pronounced, and Britton - after a mere six month stay - quit Wings, having only played on three of the new songs. A replacement, American Joe English, was quickly auditioned and hired to finish the album…