Orleans 1975

After recording Band on the Run as a three-piece with wife Linda and guitarist Denny Laine, McCartney added Jimmy McCulloch on lead guitar and Geoff Britton on drums to the Wings line-up in 1974. Having written several new songs for the next album, McCartney decided upon New Orleans, Louisiana as the recording venue, and Wings headed there in January 1975. As soon as the sessions began, the personality clash that had been evident between McCulloch and Britton during Wings' 1974 sessions in Nashville became more pronounced, and Britton - after a mere six month stay - quit Wings, having only played on three of the new songs. A replacement, American Joe English, was quickly auditioned and hired to finish the album…

In 1975 Columbia Records released this double disc, which held both treasures and frustration for the fans of Janis Joplin. The treasures were the glimpses of her live work with the Kozmic Blues Band plus a bonus LP containing 17 previously unreleased folk tracks entitled "Early Performances." The frustration lies in the big lie. In the world before DVD combined the film and the CD soundtrack, someone at Columbia had the audacity to substitute previously released material to replace some of the live performances that appeared on the film - most notably "Cry Baby" and "Piece of My Heart." It is noted on the label, but is not the kind of thing fans of soundtracks expect to see after they purchase the LP. Think anyone had the intuitive courage to take the live performance of "Mercedez Benz" from the Wicked Woman bootleg of her last show with Full Tilt Boogie from Harvard University Stadium for this set…

After recording Band on the Run as a three-piece with wife Linda and guitarist Denny Laine, McCartney added Jimmy McCulloch on lead guitar and Geoff Britton on drums to the Wings line-up in 1974. Having written several new songs for the next album, McCartney decided upon New Orleans, Louisiana as the recording venue, and Wings headed there in January 1975. As soon as the sessions began, the personality clash that had been evident between McCulloch and Britton during Wings' 1974 sessions in Nashville became more pronounced, and Britton - after a mere six month stay - quit Wings, having only played on three of the new songs. A replacement, American Joe English, was quickly auditioned and hired to finish the album…

Before he moved to Nassau and became a carefree, laid-back expat who craved sunshine, Robert Palmer lived in New York City, hired Little Feat for a backup band, and released the all over the place yet still solid Pressure Drop. Named after the massive reggae hit from Toots & the Maytals and the excellent cover version Palmer performs here, Pressure Drop is sometimes wrongly sold as the singer's first island-styled album. Past the title cut, Feat and the New Orleans funk of the Meters are much bigger influences, along with smooth, dated disco ballads smothered in strings. The latter numbers are what make the album too blue-eyed and polished for fans of Palmer's more gutsy moments, but the soft songs are well written and convincing, especially the opening "Give Me an Inch"…

Allen Toussaint - The Complete Warner Recordings (2003) {2CD Set, Rhino Handmade ‎RHM2 7831 rec 1971-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 984 Mb | MP3 @320 -> 377 Mb
Full Artwork @ 300 dpi (jpg) -> 70 Mb | 5% repair rar
© 1971-75, 2003 Rhino Handmade / Warner Music | ‎RHM2 7831
R&B / Soul / New Orleans R&B / Smooth Soul / Southern Soul

Allen Toussaint is a legend who wrote and produced some of the greatest songs in New Orleans R&B history, but his career as a recording artist is hardly legendary. He didn't record all that much and what he did wax is overshadowed by his compositions and productions – which, admittedly, is understandable given the work he did with the Meters, Lee Dorsey, Aaron Neville, Ernie K-Doe, the Band, LaBelle, Irma Thomas, and many others. But not being legendary is hardly the same thing as not having merit, and Rhino Handmade's 2003 double-disc set The Complete Warner Recordings makes a convincing case that Toussaint's three albums for Warner and Reprise are among the best hidden treasures in soul music.

Buck Owens - Buck 'Em! - Volume 2: The Music Of Buck Owens (1967-1975) (2015) {2CD Omnivore Recordings OVCD-135}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 859 Mb | MP3 @320 -> 304 Mb
Full Artwork @ 300 dpi (png) -> 78 Mb | 5% repair rar
© 1967-75, 2015 Omnivore Recordings | OVCD-135
Country / Bakersfield Sound / Honky Tonk / Traditional Country

Two years after the first installment comes Buck 'Em!: The Music of Buck Owens, Vol. 2, a double-disc set chronicling the eight years when Buck Owens was a crossover superstar thanks to his prominent role as a co-host of Hee Haw. Buck started to slide into a rut toward the end of this run – a process accelerated by the tragic death of his right-hand man Don Rich in 1974, a loss from which Owens never fully recovered – but producer Patrick Milligan slyly disguises this trend by nestling deep cuts, live tracks, and outtakes among the best of his hits, thereby painting a portrait of Buck Owens as a musician nearly as adventurous as he was during the purple patch of the '50s and early '60s.

By the mid-'70s, Judy Collins had earned a reputation as a masterful interpretive singer as well as shown a late-blooming gift as a songwriter. But while much of her work displayed an artful and contemplative tone, after she scored a surprise hit single with her a cappella rendition of "Amazing Grace," Collins was nudged a few steps closer to the mainstream, and 1975's Judith often strikes an uncomfortable balance between misguided pop confections and sturdier material which more readily suits her talents…

The late singer and songwriter Blaze Foley is almost unheard of outside of the circles of music fans who follow that scene closely. For many Austin musicians, he was a crazy saint, an iconoclast who was banned from virtually every bar in town, but whose songs are deeply admired and whose persona was singular – he didn't give a good god damn what anybody thought of him. He has been immortalized in Lucinda Williams' beautiful "Drunken Angel" and songwriter-guitarist Gurf Morlix, who played with him, lovingly mastered a record they made together in the late '70s which was released in 2006 as Blaze Foley & the Beaver Valley Boys. Willie Nelson, Merle Haggard, Kings of Leon, Lyle Lovett, and John Prine, among others, have recorded his songs. He's been exploited on a few compilations that have come out over the years with awful post-production work that he would never have agreed to. Fat Possum deepens the legend further without soiling the artist in the process. The Dawg Years is a collection of 20 Foley songs, recorded when his moniker was Deputy Dawg.