Out of Our Heads

Caroline International have announced the reissue of Iggy Pop’s long-lost classic Zombie Birdhouse, which is due to be issued on 28 June 2019. A heady concoction of drones, Afrobeats and freeform lyrics, the album was Iggy’s 6th solo studio album and represents him at his freewheeling best. It will be released officially on vinyl and CD for the first time since the original Chris Stein produced release on Animal Records in 1982.

Recorded in the summer of 1972 and released the following year, Nigel Lived is Murray Head's first solo LP. A rarity for this singer, it takes the form of a concept album. A songwriter found the diary of a stranger and wrote songs out of some fragments. The booklet reproduces pages of the fake diary along with the lyrics, weaving a believable fiction that helps in distancing or objectifying the autobiographical nature of the songs.

Sunday Express – Live is the third (double) live album by Scottish rock band Simple Minds, released in April 2007. Simple Minds arranged to release two promotional exclusive free live CDs in April 2007 through the UK newspaper The Sunday Express, making it only the band's second official double live release in its entire career, the first one being Live in the City of Light released in May 1987.

Caroline International have announced the reissue of Iggy Pop’s long-lost classic Zombie Birdhouse, which is due to be issued on 28 June 2019. A heady concoction of drones, Afrobeats and freeform lyrics, the album was Iggy’s 6th solo studio album and represents him at his freewheeling best. It will be released officially on vinyl and CD for the first time since the original Chris Stein produced release on Animal Records in 1982.

The performance here of Samson is definitive. It is lively, colourful and highly dramatic. There is no comparison with the tedious performance by the Sixteen on Coro. The performance of the Messiah with limited modern instrumental forces of the English Chamber Orchestra and Chorus with very good soloists doesn't sacrifice grandeur nor does it go to the other extreme of over-blown pomp. It is a very good performamce on modern instruments under the direction of the Baroque music specialist conductor Raymond Leppard.

Intense heavy emotional stratocaster self expression, with bluesy voice. Forever may you scream. Recommended if you like Jimi Hendrix & Steely Dan. As an artist it is essential to remember that the most important thing we have is "our voice", or style as they say. Each day our "voices" search for sources of inspiration to help us discover our own identity and creatively translate that identity into the sound of music. With that said, I hope you will be able to find a source of inspiration here…

Heavy Rock with a hard Blues edge, deep lyrics and very expressive guitar imagery. Recommended if you like Aerosmith, Led Zeppelin & Van Halen. As an artist it is essential to remember that the most important thing we have is "our voice", or style as they say. Each day our "voices" search for sources of inspiration to help us discover our own identity and creatively translate that identity into the sound of music. With that said, I hope you will be able to find a source of inspiration here…

Sweden’s OPETH are preparing to release their most important record to date with »In Cauda Venenum«. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as OPETH’s lucky thirteenth. Sporting a clever Travis Smith cover – replete with inside jokes and a nod to KING DIAMOND – a masterful Park Studios (The Hellacopters, Graveyard) production, OPETH’s usual five-star musicianship, and lyrics entirely in Swedish, »In Cauda Venenum« raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of »In Cauda Venenum« shouldn’t distract from the quality presented in OPETH’s new songs, the lot of which sneak up and take control after repeated listens. »In Cauda Venenum« is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just OPETH being OPETH.