Part Violin

This 29CD set provides a superb introduction to this master of the Barock. He is often suffers in comparison to Bach, Handel and Vivaldi mainly because it is so difficult to know where to start with such a vast body of work. This Brilliant Classics box set makes the Telemann experience all the more enjoyable by making this selection and providing a wonderful window into the world of this great composer.

Just 26 years old, Nicola Benedetti has been making chart-topping recordings for 10 years. This album celebrates the best of those recordings, and her other successes – from winning the BBC Young Musician of the Year competition in 2004, to her 2012 best-selling album ‘The Silver Violin’, the highest charting classical instrumental album in the UK of the last two decades. A collection of great violin music – from Vivaldi’s Four Seasons and Vaughan Williams’ The Lark Ascending to the Tchaikovsky and Bruch violin concertos and Arvo Part’s Spiegel Im Spiegel. Featuring brand new recordings – Brahms’ invigorating Hungarian Dance no. 5, Monti’s ever-popular Czardas, and Chopin’s emotional Nocturne in C# minor. The album includes Nicola performing with leading orchestras and conductors, as well as some of her favorite chamber players.

A limited-edition 55-CD set of legendary and critically acclaimed recordings celebrating the famous PHILIPS heritage. An alliance of great artistry and superb sound. Classic-status albums spanning over half a century of recording and showcasing a wealth of international talent.
An unrivaled collection that that embraces all musical genres - from solo piano and chamber music through to large scale choral works and opera.

Born in Jelenia Gura, Sulamita Slubowska started playing the violin at the age of six under the direction of Ludmila Solowiewicz. Graduate of the Karol Szymanowski Academy of Music in Katowice in the class of Prof. Szymon Krzeszowiec, in which she has been working as an assistant professor since 2020. Graduate of the NOSPR Academy. She has trained her skills under the guidance of outstanding artists, such as Pierre Amoyal, Gidon Kremer, Pinchas Zukerman, Roland Baldini, Bartlomiej Niziol and Maria Szwajger-Kulakowska. Moreover, she has been appreciated many times at national and international com- petitions, win-ning, among others, first place at International 'Young Paganini' Violin Competition in Legnica, first place at National Stanislaw Serwaczynski Competition of Young Violinists in Lublin, third place in the Michal SpisakNational Music Competition in Dabrowa Gornicza. On this release, she presents a program of works by Bacewicz, Prokofiev, and Part.

The title of ECM's release of works by three composers born in the former Soviet Union perfectly captures the mood of the CD – it is truly mysterious. Although more than half a century separates the first of these pieces from the most recent, they share a sense of otherness that defies easy explanation. The pieces are not so much mysterious in the sense of being eerie (although there are several moments that might raise the hairs on the back of your neck if you were listening alone in the dark); they are unsettling because they raise more questions than they answer.

This recording features a work with a strange coincidence in its compositional process and an astonishing dual authorship. Remarkably, Silvius Leopold Weiss’s Lute Suite SW47 (which he named Suonata) also comes with a violin part that can be played over the top of it, composed by none other than Johann Sebastian Bach. A recent comparison of sources revealed that the harpsichord part in Bach’s Suite for Violin & Harpsichord BWV1025, long considered to be of doubtful attribution, perfectly matches Weiss’s suite. The violin part, meanwhile, was indeed composed entirely by Bach and is an additional melody independent of Weiss’s musical material. It feels almost like a ‘free improvisation’ above the suite and recalls a similar process carried out by Charles Gounod in 1859: his Ave Maria fits over the first Prelude from Bach’s Well-Tempered Clavier BWV846. The sole exception is the Fantasia movement in Bach’s piece, which is not derived from Weiss’s suite, meaning both the violin and harpsichord parts in it are unique to Bach.

Finland's Jean Sibelius is perhaps the most important composer associated with nationalism in music and one of the most influential in the development of the symphony and symphonic poem. But he wrote also a lot of chamber music. This 6th volume of the complete BIS-edition of his works concentrates on works for Violin and Piano.