Pass Auf Was

This is an excellent spoof/satire of all things American with a side swipe at impoverished European royalty and the operetta genre to boot. Deborah Riedel is absolutely magnificent both in her acting and her singing. Her intentional horribly bad American accent in German is absolutely hilarious and is exactly the way so many Americans speak German although never so completely and swiftly. Yet when she sings, her German, of course, is impeccable and unaccented for, after all, she is an opera singer and will go only so far to dumb down.

Bach in Context a long-term collaboration series between Musica Amphion and Gesualdo Consort Amsterdam sheds new light on Bach s magnificent repertoire. By employing the church organ as continuo instrument and a one-per-part vocal setting, Bach s sound picture and performing practice is approached as closely as possible.

This live recording of the concert of 31st March 1985 document the performances of the Passion which have been given annually by Nikolaus Harnoncourt and the Concertgebouw Orchestra for ten years now.

The Vienna Boys’ Choir, one of the world's oldest boys’ choirs, maintains its status as a living tradition after more than 500 years. Haydn and Schubert both started their musical careers there; Antonio Salieri was a member of the admissions jury. What is captivating about these recordings is both the clarity of textual and musical declamation and a very special, authentic charm deriving from the slight Viennese accent. Performances by the Vienna Boys’ Choir are not only a matter of perfect pronunciation and intonation, but also of a musical sensuality that is vital to interpretations of Haydn and Schubert, yet frequently overlooked.