If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic. Clearly influenced by Jim Hall, the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he's not one to beat everybody over the head with them. Even when he picks up the tempo for the difficult and angular title song, he shuns empty musical acrobatics. Throughout the CD, Metheny enjoys a powerful rapport with keyboardist Lyle Mays, who also avoids exploiting his technique and opts for meaningful storytelling.
The Way Up is the Pat Metheny Group's debut offering for Nonesuch Records. Comprised of a single, sprawling, 68-minute composition by Metheny and Lyle Mays divided into four sections on CD it is an unprecedented new direction for the band. The lineup is the same as on the live Speak of Now from 2003 Metheny and Mays on keyboards, bassist Steve Rodby, drummer Antonio Sanchéz, and trumpeter/vocalist Cuong Vu. New to the roster is Swiss/American harmonicat Gregoire Maret.
This set, recorded at New York City's Bottom Line in September of 1978, is a wonderful example of the Pat Metheny Group onstage at this early stage, shortly after the release of their debut album. Not surprisingly, the set includes material from that album, but also explores older and side project material in the context of this quartet, as well and a couple of key compositions destined for the group's follow-up, American Garage. As such, this set serves up a fine example of what drew attention to this group in the first place and will be illuminating to anyone interested in this relatively early stage of Pat Metheny's career as a performing musician.
Pat Metheny: "From the beginning, this band has been on a mission. Throughout the group's history, there has been a sense of potential and an abundance of ideas that have been thrilling to explore. The Way Up is a long form piece that describes in detail many of the most pressing issues in our musical lives. The original recording (2004) was a milestone for us, but the tour that followed allowed us the opportunity to discover the piece in front of audiences around the world over the course of a 6 month tour. This film, shot during the Asian leg of that tour in Seoul, Korea, is an accurate and special documentation of the group at its best, performing The Way Up - Live."
The first Pat Metheny Group recording in five years is a bit unusual in two ways. The band uses "contemporary" pop rhythms on many of their selections but in creative ways and without watering down the popular group's musical identity. In addition Metheny for the first time in his recording career sounds a bit like his early influence Wes Montgomery on a few of the songs. With his longtime sidemen (keyboardist Lyle Mays, bassist Steve Rodby and drummer Paul Wertico) all in top form, Metheny successfully reconciles his quartet's sound with that of the pop music world, using modern technology to expand the possibilities of his own unusual vision of creative improvised music. And as a bonus, some of the melodies are catchy.