The Franco-Swedish guitarist Paul Jarret’s project EMMA is inspired by the wave of Swedish immigration to the United States who happened during the second half of the 19th century. A theme that resonates with many of our contemporary issues. With his quartet, he creates a chamber-jazz that blurs the lines between improvised, minimalistic and repetitive musics, traditional Swedish music and liturgical musics, it’s also inspired by songs evoking exiles and Scandinavian melodies.
In the current landscape of young French jazz, Pj5 offers one of the most pertinent musical propositions. This is a group in the full meaning of the term, whose identity comes above all from a sound: a certain capacity to densify the derivative sound of death metal, with the shapes of contemplative contemporary chamber music, the borders of minimalism and folk, fuelled with their personal contemporary jazz sensibility and improvisations. A laureate of the ‘Jazz Migration’ program for upcoming talents, composed of five French musicians from the same generation, Pj5 releases a third album displaying a band striving for purity and nuance, energy and intensity in order to accomplish a music capable of moving from epic accents to the simplicity of jingles, from electric storms to delicate sound patterns.
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll.
Aurio Corrá: "I started my piano studies at the age of four. At eighteen years of age I was educated in classical music at the Sao Paulo Conservatory. Later, I dedicated my atttention to the study of Jazz and contemporary music. I studied the viola and later I moved on to the guitar. In 2001 I started to study the soprano saxophone, influenced by the sound of Paul Winter, and with Ivan Meyer as my teacher, continuing until 2003. From here I started to teach myself how to play woodwind instruments. I released my first New Age piece of music in 1988 called 'Aura', with the participation of the harpist María Tereza Briamonte…