Periphery

David Grubbs & Jim O'Rourke’s long-dormant Gastr Del Sol returns with a first “new” release in 25 years, an epic 3LP/2CD box set collecting previously unreleased recordings and rarities influenced by Derek Bailey’s free improv as much as hallowed jazz staples and musique concrète, like some irresistible force ploughing through the increasingly approachable, you might even say polite, output of their post rock contemporaries back in the late 90’s. Perhaps unsurprisingly, it sounds better now than ever, too.

After more than 30 years of existence, Gothenburg's finest metal masters Evergrey are far away from slowing things down. The five-piece, led by founder, singer and guitarist Tom S. Englund, will release its fourteenth studio album, Theories Of Emptiness, on June 7, 2024 via Napalm Records. Without any doubt, the new album marks one of the most dynamic records the band has ever crafted throughout their impressive career. Theories Of Emptiness was produced by Tom S. Englund and Jonas Ekdahl, and was mixed by Adam "Nolly" Getgood (ex-Periphery), who worked closely with the band from the start - bringing out the vividness of the album’s overall sonic profile. Rounding out the album’s production, mastering was helmed by Thomas “Plec” Johansson (Soilwork, The Night Flight Orchestra, Onslaught, The Gems, Eleine and many more).

A team of songwriters based worldwide and at the height of their own scenes, who met through working on the Indian Rock band Skyharbor, White Moth Black Butterfly have joined forces to create their second album, 'Atone'. Singer Daniel Tompkins began WMBB as a creative outlet aside from writing for UK progressive rock band TesseracT, indulging in his other musical influences from Massive Attack, Enigma, Sigur Ros, David Bowie, Michael Jackson, Tool, Dredg and Thrice. After growing Skyharbor as one of India's biggest rock bands with songwriter Keshav Dhar, including taking the stage with acts such as Lamb of God and Deftones, the pair collaborated on Tompkins' new Contemporary Pop project with progressive and experimental music at its heart.

Very good band from Finland with an intricate music that ranges over classic prog, jazz, blues, techno, and more. There is intensive use of endless instruments. The compositions make use of a great variety of unpredictable arrangements that make the sound difficult to describe. Extremely creative and insanely courageous. Höyry-Kone was one of the most astounding experimental rock bands to come out from the periphery of the Anglo-Saxon and Center European scene during the 90s: what this Finnish act offered to the public ears was an unearthly mixture of 80s King Crimson, Samla Mammas Manna, the most aggressive facet of RIO, Zappa-esque vocal arrangements, gypsy folk and trash metal in a fluid sonic continuum that portrayed the band's own signature.