An eclectic and rootsy set of music by Tony Furtado with Matt Flinner, Rob Burger and Luke Price, this beautifully recorded live album was culled from a series of performances at a cider brewery that can be called vibrant, explosive, introspective & alive.
Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. ~ AllMusic
"Sound of Sexy Soul" is the second album by American R&B/Soul vocal group The Delfonics, released on February 11, 1969 by Philly Groove label. The album was produced by Thom Bell. Like The Delfonics' debut album La La Means I Love You, The Sound of Sexy Soul is evenly split between new songs written by Bell and lead singer William Hart, and cover versions. The album's lead single, "Ready or Not Here I Come (Can't Hide from Love)", peaked at #35 on the pop chart at the time of original release. The Sound of Sexy Soul continues the development of the smooth, symphonic soul sound pioneered by Bell on La La Means I Love You and is regarded as a classic example of early-period Philadelphia soul.
It’s not every day that you run into a musician who joins a protean range of talents—as a composer, saxophonist, writer and bandleader–-with a commitment to Marxist ideology….For twenty years now Fred Ho and his Afro Asian Music Ensemble have been defending the turf where the personal and the political slam into the maelstrom of new jazz…a fiercely imaginative baritone saxophonist and composer.
Lespecial carves their own path in contemporary rock music with the release of their second album, Cheen, on October 31, 2017. Pole vaulting over traditional genres, Cheen is a snapshot of a band finding a remarkable creative stride, fearless in their pursuit of a synthesis of the diverse musical idioms that have inspired them as listeners and artists.
In a traditional sense, Cheen is a risky album: it asks the listener to suspend a categorical approach and dig into their own eclectic unconsciousness, to adapt a phrase, and appreciate the flow of the record from start to finish, as it moves guided by an unseen plan. If there is an underlying thematic structure, it is one that is anchored - musically and lyrically - by horror flicks, 1980s video games and Lespecial’s indictment of the current cultural state of affairs…