Pert Master

Mike Oldfield was asked in 1984 to score Roland Joffe’s film about two journalists’ experiences in the ‘killing fields’ of Kampuchea. Although Oldfield’s music is synonymous with film, it is his first and only score to date, The film was highly acclaimed winning two Academy awards and Oldfield’s score was an integral part of it, earning him a BAFTA and Golden Globe nomination. Newly remastered for 2016, The Killing Fields is a well-regarded entry in Mike Oldfield’s illustrious discography. As with all of Oldfield’s critically acclaimed re-release programme, the notes include a new interview with Mike.

The hands-on video guide to project management: master the entire project lifecycle in just hours!

Manufacturing process| Network Analysis| Break Even Point Analysis| optimization| JIT| Quality| Production| Operations|

Peter Gabriel is the third eponymous solo album by English rock musician Peter Gabriel, released on 23 May 1980 by Charisma Records. The album has been acclaimed as Gabriel's artistic breakthrough as a solo artist and for establishing him as one of rock's most ambitious and innovative musicians.

Master the use of planning and scheduling methods in a variety of construction projects.

Master the Quality Engineering Concepts - Comprehensive Certified Quality Engineer (CQE) Exam Preparation Course

The cast for this Teatro Real de Madrid production is outstanding across the board. Figaro is the glue of any successful Barber – he moves the action ahead and the audience must look forward to his every appearance, vocally and dramatically. From the first bars of “Largo al factotum della città,” we know Pietro Spagnoli’s got the goods, with a satisfyingly solid and nimble baritone and a natural elegance to his movements on stage. Bruno Praticò is a prime basso buffo practitioner, impressively adept with the patter of Bartolo’s first act aria, his representation of the not-so-good Doctor suitably ridiculous, abetted by a Tweedledum/Tweedledee sort of costume. As Don Basilio, veteran Ruggero Raimondi exudes a perfect blend of decrepitude and cunning; if his voice is no longer as resplendent as it was 20 years ago, he still has a wonderful stage presence.