The fourth single from Pet Shop Boys' "Hotspot" album, the "I Don't Wanna" CD provides four versions of the lead track and also a bonus song, "New Boy", originally written by Pet Shop Boys in 1984 and recently finished and recorded.
Behaviour is arguably Pet Shop Boys' best album – rivaled by the one that followed it, Very – so it's appropriate that it's paired with the best "further listening" component available in the reissue series. This is certainly a byproduct of the duo's high creativity between 1990-1991, but it's also a smartly selected, sharply assembled album in its own merit, containing several of the group's very best non-LP songs – "It Must Be Obvious," "Miserablism," "Bet She's Not Your Girlfriend," and the anthemic "DJ Culture" – which are sequenced between many fine extended mixes, including one of "Where the Streets Have No Name"/"I Can't Take My Eyes Off You."
Very rivals Behaviour as Pet Shop Boys' best album, so it's appropriate that the "further listening" bonus disc on Very's installment in the 2001 expanded-edition series rivals the further listening disc for Behaviour, and perhaps even surpasses it. Like that disc, this collection doesn't rely on remixes for bonus tracks and those that do make it are quite good (a previously unreleased 12" mix of "Go West" and the hacienda version of "Violence"). The rest of the record consists of B-sides and non-LP singles (including "Absolutely Fabulous"), none of which have been collected on a disc before since they all date from an era that the double-disc set Alternative didn't cover. The great thing about this is that nearly all of the material could have fit comfortably on Very and it plays as a very infectious, absorbing listen on its own.
Behavior was a retreat from the deep dance textures of Introspective, as it picked up on the carefully constructed pop of Actually. In fact, Behavior functions as the Pet Shop Boys' bid for mainstream credibility, as much of the album relies more on popcraft than rhythmic variations. Although its a subtle maneuver, it would have been rather disastrous if the results weren't so captivating. Tennant takes this approach seriously, singing the lyrics instead of speaking them. That doesn't necessarily give the album added emotional baggage - all of the distance and detachment in the duo's music is not a hindrance, it's part of the concept - but it does result in an ambitious and breathtaking pop album, which manages to include everything from the spiteful "How Can You Expect to Be Taken Seriously?" to the wistful "Being Boring."
Pet Shop Boys announce the release on DVD and 2-CD of their “Discovery: Live in Rio 1994” concert, recorded towards the end of their 1994 tour of Singapore, Australia and Latin America.
With a generally deadpan singer and another guy behind a bank of synthesizers, the Pet Shop Boys just aren't built for live albums, even if the songs are exquisite, there's an orchestra behind them, and some very special guests appear. While the duo can deliver in a live setting, the experience relies heavily on the visual, check the Performance or Somewhere concert videos for proof. Still, for fans, Concrete must exist since it captures the duo's May 2006 appearance at London's Mermaid Theater, an invite-only affair with the BBC Concert Orchestra as backing band. The song selection doesn't read like a greatest-hits compilation because save "It's a Sin" and "West End Girls," everything here was originally recorded with various sized orchestras…
The 1993 album ‘Very’ was a number one record for Pet Shop Boys in the UK, and has to date sold in excess of five million copies worldwide. It contains 5 singles, including their cover of ‘Go West’ – a number 2 hit for PSB – and lead single ‘Can You Forgive Her?’.
This B-side from the 1985 "Opportunities" single was re-released in 1995 as part of PSB's Alternative set and features the updated remixing of Tracy & Sharon and Angel Moraes.