Pete Town

In May 2017, days before succumbing to cancer, Jimmy LaFave staged a final show in Austin at the Paramount Theatre, an all-star farewell and thank you to the music community he adoringly called home. Even in his own passing at the age of 61, LaFave’s voice provided comfort, wisdom, and healing to a hurting world. Posthumous double-disc Peace Town arrives nearly a year later, a last gift from the incomparable song crier. Like calculated final collections from David Bowie, Warren Zevon, and Leonard Cohen, each song rings with meaning. Opening on Pete Townshend’s “Let My Love Open the Door,” LaFave recasts the pop anthem with a stirring emotional appeal, followed by one of only three of his own compositions among the 20 tracks, “Minstrel Boy Howling at the Moon.”

The autumnal sound of Britain at the turn of the 70s, looking out through wet window panes to a new decade with a mixture of melancholy and optimism for what might come next. With the Beatles gone and the pound sinking, a new and distinctive sound emerges, led by flutes and mellotrons. Available in 18-track CD and 19-track double LP formats.

The autumnal sound of Britain at the turn of the 70s, looking out through wet window panes to a new decade with a mixture of melancholy and optimism for what might come next. With the Beatles gone and the pound sinking, a new and distinctive sound emerges, led by flutes and mellotrons. Available in 18-track CD and 19-track double LP formats.

‘Time passes. Life happens. People arrive and people leave. Songs celebrate, songs grieve, look at yesterday and smile towards tomorrow; and everywhere, ghosts.
One evening, when I was enjoying my favourite red wine, I decided to pour an extra glass for people and times past. Soon it became a tradition, the name of a song and then an album: One for the Ghost.’

By 1968 there was a growing consensus that something had gone horribly wrong with the American dream. With urban riots, Vietnam, the assassinations of Martin Luther King and Bobby Kennedy, and ever-climbing divorce rates, the American way of life was under scrutiny from all sides. The nation’s youth had loudly made their feelings clear, but now the older, pre-Beatles generations began to look at the country and wonder what the hell was happening.

By 1968 there was a growing consensus that something had gone horribly wrong with the American dream. With urban riots, Vietnam, the assassinations of Martin Luther King and Bobby Kennedy, and ever-climbing divorce rates, the American way of life was under scrutiny from all sides. The nation’s youth had loudly made their feelings clear, but now the older, pre-Beatles generations began to look at the country and wonder what the hell was happening.