Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop. Peterson was criticized through the years because he used so many notes, didn't evolve much since the 1950s, and recorded a remarkable number of albums.
Jerome Kern's stage tunes – going back to the late '20s with the acclaimed presentation Show Boat – right up to the '40s, will forever be at the core of quintessential American popular songs that hold a dear place in the heart of all straight-ahead jazz performers. Oscar Peterson's immortal trio with bassist Ray Brown and drummer Ed Thigpen play Kern's themes expertly, with no small degree of interpretation, and a clever angle on these well-worn songs that only Peterson can self-identify with his genius mindset. The title should be more accurately "The Jerome Kern & Friends Songbook," as he always co-wrote with such notables as Oscar Hammerstein II, Otto Harbach, Ira Gershwin, and Dorothy Fields, but these are all instrumental versions of his priceless musical scores and are immediately familiar without lyrics. ~ AllMusic
Lucky Peterson is definitely a student of the blues. Since Willie Dixon took him under his wing at a very young age, Peterson has been immersed in blues. He has studied and lived it. With the release of Live At The 55 Arts Club Berlin, Peterson and company are at the top of their game. For fans, this release is a treat. For the uninitiated, this is gonna rock your world! This release is packaged as 3 DVDs and 2 CDs. DVD1 is the 1st set performance, DVD2 is the 2nd set performance, and the third DVD is “extras.” The two CDs match the music performed on the DVDs. The packaging itself is first class too; no corners cut here. An included booklet contains great photos, profiles of the band members, and a forward by Andreas Hommelsheim, who opened 55 Arts Club Berlin where this concert was filmed. The whole package is first class all the way.
Part of his five sessions that featured duets with different trumpeters, pianist Oscar Peterson's matchup with trumpeter Roy Eldridge (reissued on CD) has its strong moments. Eldridge did not quite have the range of his earlier years, but his competitive streak had not mellowed with age. Peterson pushes Eldridge to his limit and the music is generally quite exciting. Highlights include "Little Jazz," "Sunday," and "Between the Devil and the Deep Blue Sea." ~ AllMusic
Part of his five sessions that featured duets with different trumpeters, pianist Oscar Peterson's matchup with trumpeter Roy Eldridge has its strong moments. Eldridge did not quite have the range of his earlier years, but his competitive streak had not mellowed with age. Peterson pushes Eldridge to his limit and the music is generally quite exciting. Highlights include "Little Jazz," "Sunday," and "Between the Devil and the Deep Blue Sea."
Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This six-CD set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. ~ AllMusic
The Nelson Riddle Orchestra was always great enough to play music for film and television soundtracks, and accompany the greatest of stars, including Louis Jordan, Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Antonio Carlos Jobim, among many others. For the band to back up the 1963 version of the Oscar Peterson trio with bassist Ray Brown and drummer Ed Thigpen might have created some tension, with Peterson always wanting to cut loose and go over the top as opposed to the silky smooth sound Riddle favored. Fortunately, Peterson strikes a balance between playing it cool and lettin' 'er rip on this collection of standards with the dinner hour in mind. Though not exclusively subtle and romantic, Riddle and Peterson strike a golden bipartisan compromise in rendering these well-known American popular songs into quietly burning embers of pure delight…