Returning to the stark, melancholy sounds of Face Value, Phil Collins delivers a personal album with Both Sides in more than one sense of the word. Collins played all of the instruments on Both Sides, and the songs are troubled, haunting tales of regret, romance, and society…
Like Face Value before it, Both Sides could be characterized as a "divorce album," but marriage wasn't the only thing Phil Collins was leaving behind in 1993. He was two years removed from We Can't Dance, the 1991 album that turned out to be his last with Genesis, so at a personal and professional crossroads, Collins holed up in his home studio to write and record the songs that became Both Sides…
After the one-two punch of Phil Collins' first two solo albums, Face Value and Hello, I Must Be Going!, plus the hits he was concurrently having with Genesis, it might seem like he was primed for an artistic and commercial drop-off. Instead, he responded with the biggest album of his career. No Jacket Required topped the charts in the U.S. and U.K., won a Grammy for Album of the Year, and spawned four Top Ten singles, including two number ones in "Sussudio" and "One More Night." It was such a monster success that it made Collins one of the biggest stars on the planet, something that a few years before seemed unlikely if not impossible…
"I decided to call this version of 'Going Back' 'The Essential Going Back,'" Phil explained. "In retrospect, I included too much music on the original version, and I believe that too much is not always a good thing. Hence this trimmed down selection of my favourite Motown songs." Originally released in 2010, "Going Back" was Phil Collins' first studio album since 2002 and saw him back at #1 on the charts. This album was a personal labour of love project that found him faithfully recreating the soul gems that played such an influential role in his musical life. This is one of the last releases in Collins' "Take A Look At Me Now" series. Entirely curated and compiled by Collins himself, his idea for the concept is to examine how his songs have evolved over time, with the majority of the additional content throughout the series focused on live versions of the tracks.
Phil Collins took a long time to deliver Testify, his first record since redemptive post-divorce album Dance into the Light. On that 1996 affair, he was open to all the possibilities that may arrive during this new act and, accordingly, the album felt expansive…
Dance into the Light is the sixth solo studio album by English singer-songwriter Phil Collins. It was originally released on 21 October 1996 on the label Atlantic. It features guest backing vocalists, including Arnold McCuller, and Amy Keys. It was notable for being the first album that Collins released as a full-time solo artist, having left Genesis earlier that year. The album was received negatively by the majority of music critics, while other reviewers noted good points to the album. It was also a commercial disappointment, and despite hitting #23 on the Billboard 200, the album became Collins' poorest selling album at the time (it is now his second-poorest selling studio album next to 2002's Testify).
Phil Collins took a long time to deliver Testify, his first record since redemptive post-divorce album Dance into the Light. On that 1996 affair, he was open to all the possibilities that may arrive during this new act and, accordingly, the album felt expansive. He dabbled with new sounds, perhaps excessively so, but it helped mirror his newfound freedom. In contrast, Testify feels a bit hemmed in, the sound of a singer/songwriter marching through the drudgery of life. This isn't to say that Testify is underpinned with despair – it certainly lacks the melancholy undertow of Both Sides, one of his moodiest and best records – but rather it feels diligent, with Collins intent on hitting all of his preordained marks.