Kenny ‘Blues Boss’ Wayne is a veteran blues and boogie piano player, raised in New Orleans but a long-time Vancouver resident. In uenced by Fats Domino and Johnnie Johnson, Kenny has worked in the past with Joe Louis Walker, Delaney and Bonnie Bramlett, Billy Preston and members of Sly & The Family Stone. His bass-heavy boogie piano work and original songs makes for powerful live performances, enhanced by the sartorial splendor of his boldly colored, French custom-tailored stage suits. An Old Rock On A Roll, was produced by Duke Robillard who says, “He’s a monster pianist, a soulful singer, and he captures the essence of old school blues and boogie while sounding totally fresh and contemporary”.
Midnight Stoppers celebrates the post war blues pianists and explores how their sound had its origins in the '30s and '40s, when boogie-woogie piano and the Chicago-centric small combo “Bluebird sound" held sway. Compiled by blues authority Mike Rowe, Midnight Stoppers presents 70 masterpieces by 34 pianists, including legendary names like Otis Spann, Memphis Slim, Big Maceo, Sunnyland Slim and Albert Ammons, as well as the unsung heroes of the keyboards.
Blues piano has a long history and wide stylistic differences. The practitioners presented here by Rounder Records take a swath across time and space to give you a fine collection of old-timers and newcomers working through boogie, barrelhouse, rag, and urban differences in their deliveries and compositions. These unaccompanied recordings give you the man and piano in collectable renditions with technologically superb digital remastering.
A Chicago Blues legend in concert with a superb band. Available for the first time on CD! This superb album from the legendary Muddy Waters band member was originally released as a vinyl lp in 1985 and this is the very first CD release. The band features Bill Dicey on harmonica. This set was one of Pinetop's first recordings under his own name after a lifetime of playing with some of the greatest names in electric blues. Pinetop Perkins was a bluesman who found fame late in life. Active in the 1950s on the Memphis scene, he left the music for many years. But then came back just when blues legends had a new, wider audience in the late 1960s. A gifted blues piano player and delightful singer he had the full package as bandleader. But he found his fame as piano player with Muddy Waters.
David Bennett Cohen is an American musician best known as the original keyboardist for the late 1960's psychedelic rock and blues band Country Joe and the Fish. Cohen's musical career began at age seven, when he began seven years of classical piano training. He also learned to play guitar at age nine. When he was fourteen, Cohen heard boogie-woogie piano for the first time, and from then on his playing was influenced by boogie-woogie, as well as piano blues.
After 25 years, constant traveling, nine albums, and various solo projects, Saffire are calling it quits with one last tour and Havin' the Last Word, a collection of new tunes, covers of favorites, and songs that define their dissolution. It sounds as though it's a happy-sad decision, gratified for all the success and love accrued from their fans, but pleased for future blues via other partnerships and collaborations that can now be achieved individually. Though all will pursue solo careers – Ann Rabson is already firmly established – it is this magical and timeless combination of spirit, focused same-page concept, and great musicianship that has served Saffire very well far beyond most bands. This final effort showcases individual vocal tracks, as if the group members are already preparing for going out on their own, as there's very little group harmonizing. Individual efforts notwithstanding, the group still convenes musically on common ground, especially when Rabson plays piano, Gaye Adegbalola jams on the slide guitar or harmonica, and Andra Faye offers her musings on fiddle, mandolin, or upright bass.