After ‘Stravaganza d’amore’, their superb album of late sixteenth-century Florentine music, Raphaël Pichon and Pygmalion return to Italy, this time to Mantua. Here they offer us their reading of one of the peaks of sacred music from this period: Monteverdi’s Vespers. Revealing like no other interpreters the poignant interiority of these pieces, they bring out to the full their inherent sense of theatre. An overwhelming experience.
After ‘Stravaganza d’amore’, their superb album of late sixteenth-century Florentine music, Raphaël Pichon and Pygmalion return to Italy, this time to Mantua. Here they offer us their reading of one of the peaks of sacred music from this period: Monteverdi’s Vespers. Revealing like no other interpreters the poignant interiority of these pieces, they bring out to the full their inherent sense of theatre. An overwhelming experience.
Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that wished to use the arts to display their power. A humanist one too, as is shown by these intermedi (interludes) that sought to achieve the perfect blend between music and poetry, the ideal of a certain Renaissance. Inserted into plays imitating the ancient writers, these entertainments were presented with lavish visual and musical resources. After reaching an initial peak in 1589 with the intermedi composed for Bargagli’s La pellegrina, this tradition was prolonged in the burgeoning genre of opera by such composers as Peri, Caccini (Euridice, 1600) and, very soon, Monteverdi (L’Orfeo) and Gagliano (Dafne).
Discover or rediscover the masterpieces and rare gems of the baroque and classical repertoire with the greatest performers : Hervé Niquet (Richard Cœur de Lion by Grétry, The Magic Flute by Mozart, Don Quichotte chez la Duchesse by Boismortier), John Eliot Gardiner (La Symphonie Fantastique by Berlioz), Vincent Dumestre (Phaéton, Cadmus et Hermione et Le Bourgeois gentilhomme by Lully, Egisto by Cavalli), Raphaël Pichon (Vespro della Beata Vergine by Monteverdi), Gaétan Jarry (Les Arts Florissans and David et Jonathas by Charpentier), Valentin Tournet (Les Indes Galantes by Rameau, Magnificat by Bach), Stéphane Fuget (Il Ritorno d’Ulisse in Patria by Monteverdi, Grands Motets by Lully in 3 volumes), Leonardo García Alarcón (La Finta Pazza by Sacrati and The Coronation of Poppaea by Monteverdi), Olivier Latry (Mass for the Convents and Mass for the Parishes by Couperin), Jordi Savall (L’Orfeo by Monteverdi), Christophe Rousset (Psyché and Atys by Lully), Placido Domingo (The Versailles Gala), Mathias Vidal (Rameau triomphant) and Marc Minkowski (Nouvelle Symphonie by Rameau). The label has also recorded the first two French operas composed by women: Cephalus and Procris by Elisabeth Jacquet de La Guerre and Les Génies by Mademoiselle Duval.
Discover or rediscover the masterpieces and rare gems of the baroque and classical repertoire with the greatest performers : Hervé Niquet (Richard Cœur de Lion by Grétry, The Magic Flute by Mozart, Don Quichotte chez la Duchesse by Boismortier), John Eliot Gardiner (La Symphonie Fantastique by Berlioz), Vincent Dumestre (Phaéton, Cadmus et Hermione et Le Bourgeois gentilhomme by Lully, Egisto by Cavalli), Raphaël Pichon (Vespro della Beata Vergine by Monteverdi), Gaétan Jarry (Les Arts Florissans and David et Jonathas by Charpentier), Valentin Tournet (Les Indes Galantes by Rameau, Magnificat by Bach), Stéphane Fuget (Il Ritorno d’Ulisse in Patria by Monteverdi, Grands Motets by Lully in 3 volumes), Leonardo García Alarcón (La Finta Pazza by Sacrati and The Coronation of Poppaea by Monteverdi), Olivier Latry (Mass for the Convents and Mass for the Parishes by Couperin), Jordi Savall (L’Orfeo by Monteverdi), Christophe Rousset (Psyché and Atys by Lully), Placido Domingo (The Versailles Gala), Mathias Vidal (Rameau triomphant) and Marc Minkowski (Nouvelle Symphonie by Rameau). The label has also recorded the first two French operas composed by women: Cephalus and Procris by Elisabeth Jacquet de La Guerre and Les Génies by Mademoiselle Duval.