Pink Floyd Discovery

The third massive Pink Floyd box, following the first, Shine On, by nearly two decades but the second, Oh by the Way, by a mere four years, Discovery is almost identical to the latter. Like that 2007 set, it contains all of the group’s studio albums – beginning with 1967’s The Piper at the Gates of Dawn and ending with 1994’s The Division Bell – adding no musical bonus material (which means that the Early Singles disc tacked onto Shine On is missing) but presenting all the albums in pristine new remasters and nice packaging…

Space has no limit! Obskuria is hungry for the ultimate satisfaction and will hit you like an asteroid storm straight into the face. The international project started in 2006 with Tom Brehm, the legendary guitar player from the 60s US group Dragonwyck, super-talented German keyboardist Winnie Rimbach-Sator (Karmic Society/Treacle People) and La Ira De Dios from Peru. What you hear on this album is the essence of euphoria, freedom and creativity! Through the total running time of almost 80 mins, a wide spectrum of influences are covered from Pink Floyd´s Meddle, Ummagumma, Amon Düül 2, Ashra Temple, Hawkwind and Brainticket as well as transforming 80´s (Thrash)-Metal into a natural 70s rock sound.

Band of Bees second album Free the Bees is a rollicking, breathtaking romp through the '60s, calling to mind classic band after classic band but also conjuring up a modern and original sound of their own. "These Are the Ghosts," the CD's opening track, gives us echoes of the psychedelic-era Small Faces, the Kinks circa Village Green Preservation Society, and even, at times, Pink Floyd circa Piper at the Gates of Dawn. There are moments on "No Atmosphere" where they sound like the Small Faces quoting the Beatles obliquely from Rubber Soul, and elsewhere it suddenly sounds as though the ghost of George Harrison has stepped into the studio to throw in some licks from a White Album jam. And incidentally, the studio in question where this album was cut was, indeed, EMI Studio No. 2, the very same that the Beatles used, so the Bees re-creating elements of the Beatles' sound is no accident. "Chicken Payback" sounds like some discovery from the vaults of Stax Records, except that it's not – it's an original, and it is original, and could pass for some 40-year-old Northern soul discovery. "The Russian" comes off like a piece of soundtrack music in search of a movie, circa Blow-Up, like for a chiller (The Deadly Bees, perhaps?) or spy picture where the producers couldn't afford John Barry.

Nick Mason is one of the biggest selling artists of all time. A co-founding member of Pink Floyd, he is the only constant member of the group, performing on all of their albums as well as all of their live shows. In May of this year, Nick debuted his new band Nick Mason’s Saucerful Of Secrets with four intimate shows in London (Camden Dingwalls 20 May and The Half Moon in Putney 21, 23 and 24 May) to an incredible reception. Unattended Luggage is a further celebration of Nick Mason and his undeniably significant contribution to music. The set contains: ‘Fictitious Sports’ - Nick’s debut solo album which was originally released in 1981 and saw him collaborate with a variety of different musicians including Robert Wyatt and Carla Bley…

4th exciting instrumental Electronic Music album from this German band that are bridging the void between PINK FLOYD, VANGELIS and TANGERINE DREAM! CINEMA is the current Electronic Music project of Jürgen "Pöngse" Krutzsch, a musician already well known in Krautrock circles for his contributions to the 70’s band TIBET. Using synthesizers, sequencers, organs, choirs, guitars and oriental and rock rhythms, Pöngse - supported by Brigitte Grafe and guitarist Benjamin Peiser expertly crafts this varied melodic, rhythmic electronic soundtrack to create an incredibly infectious musical melange that is reminiscent in a wide range of styles, from moments of PINK FLOYD to awakenings associated with TANGERINE DREAM, Vangelis, Mike Oldfield and Schiller!

Michael Kamen is a master at capturing nostalgia, especially when the age in question is the bittersweet "tie a yellow ribbon" landscape of World War II. For the HBO mini-series Band of Brothers, Kamen re-visits much of the same territory he explored with fellow sepia-tone junkie Roger Waters on Pink Floyd's The Wall and The Final Cut. Alternately tragic and uplifting, Band of Brothers is a raw, patriotic, and wistfully elegiac tome of swelling choirs, salvation army brass band, and melodious strings that compliment the series' balanced depiction of the horrors of war and the unpredictable sweetness of humanity.