It's always difficult reviewing Krautrock, simply because Krautrock, as a genre, tends not to patch directly into the generally accepted definition of Prog Rock - it's much closer to psychedelia.
Peter Mergener takes new steps with his new album New Horizons and there are new horizons, as the name of the album already says.
His numerous compositions have a wide range from pure Berlin School electronics to world music, cosmopolitan, lounge and rock music. From the beginning, his heart has beaten for cosmic music, which had its beginnings with Klaus Schulze and Tangerine Dream. But Mergener was also influenced by Pink Floyd and he started recording music with synthesizers at the end of the 70's, some of which were later released on the first Lp's of Software. Mergener now returns to his beginnings with New Horizons and delivers an excellent album, which is characterized by very beautiful spherical pads, sequences and space effects…
After an exhaustive five-year litigation battle between the band and their label management, Tool offer up the latest chapter in their musical self-discovery in Lateralus. Make no mistake, this is a prog rock record, reminiscent of King Crimson and Meddle-era Pink Floyd, with a hint of Rush mutated with Tool's signature sonic assault on the ears. Lateralus demands close listening from the first piece onward, as it becomes quickly apparent that this is not going to be an album one can listen to and accept at face value. Complex rhythm changes, haunting vocals, and an onslaught of changes in dynamics make this an album other so-called metal groups could learn from. While some compositions seem out of place, others fit together seamlessly, such as the 23-minute song cycle serving as the climax and resolution of the album…