Point of no Return 1993

The three works presented here reveal distinctly different phases of Arnold Schoenberg's development, each a critical point of departure. In the Pieces (5) for Orchestra (1909), Schoenberg's atonal language appears full-blown and marks a clear break with tonality. For the first time, Schoenberg places content over form and dispenses with any pretenses toward classical objectivity or balance.

Hands down, this epochal concert at New York's Madison Square Garden – first issued on three LPs in a handsome orange-colored box – was the crowning event of George Harrison's public life, a gesture of great goodwill that captured the moment in history and, not incidentally, produced some rousing music as a permanent legacy. Having been moved by his friend Ravi Shankar's appeal to help the homeless Bengali refugees of the 1971 India-Pakistan war, Harrison leaped into action, organizing on short notice what became a bellwether for the spectacular rock & roll benefits of the 1980s and beyond.

Hank Jones - Upon Reflection, The Music Of Thad Jones (1993) {Verve–Gitanes 314514898-2}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 389 Mb | MP3 @320 -> 169 Mb
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© 1993 Verve / Gitanes | 314 514 898-2
Jazz / Bop / Post Bop / Piano

This recording is dedicated to the memory and compositions of the late trumpeter/composer Thad Jones, younger brother to pianist Hank Jones, older brother to drummer Elvin Jones. Out of print in the U.S. 1994 release from the Jazz piano great finds Hank, alongside George Mraz and brother Elvin, paying tribute to his younger brother, the late trumpeter Thad Jones. 10 tracks including 'Thad's Pad', 'Lady Luck' and 'Mean What You Say'.

On Buddy Guy's second Silvertone release, he continues the practice of guest appearances begun on Damn Right, I've Got the Blues. In this case, the notables include Paul Rodgers, Travis Tritt, and John Mayall. The finest combination comes when Bonnie Raitt joins Guy on John Hiatt's "Feels Like Rain." Raitt's gritty vocals and sweet slide guitar add a pleasing nuance to the bittersweet track, and it is ultimately the high point of the record. Certain critics and blues purists have derided Guy's search for mainstream success as evidenced by his penchant for guest appearances and non-traditional blues forms, but Guy sounds fantastic in these unconventional situations (witness his burning version of the Moody Blues' "I Go Crazy").

Steve Coleman's achievement in creating a musical environment for serious improvising that sets aside acoustic, swing-based rhythms for electric, funk-influenced ones that don't fall prey to repetitive fusion formulas is one of the great creative accomplishments in jazz over the last 20 years. The Tao of Mad Phat, recorded live in the studio before a small invited audience in an attempt to capture the looseness and ambience of the Five Elements' live performances, may be the ideal entry point to sampling that criminally underrated feat.

Collection of the finest work of the Algerian/French ensemble Djur Djura, compiled by David Byrne. The group's founder and focal point is Algerian-born vocalist Djura. Djura's music blends twining layers of vocals over flashing percussion and a blend of Eastern and Western instruments. Her words offer a profoundly emotional message of awareness and hope.